GlitchesBrew

A Better World (originally written 2016)

“If you were a god, what kind of world would you make?”

It wasn't that the question itself was odd; it was only odd in the good way, like all the other small-talk questions she'd ask us to start conversation. She did that once in a while, usually when she was too tired or too busy to keep us entertained with songs and stories. In fact, that actually would've been a fun one to answer – probably starting with some joke answer like “exactly the same but saw-lute music never existed” or “made entirely of beef jerky” before going into thinking about what everyone's dream worlds would be like.

No, it was the way she said it... I'd never heard that tone of voice coming from her before. It wasn't merely that she was trying to keep herself relatively quiet for the benefit of those sleeping in the cabins below, out of the light of the full moon. It didn't have that excited anticipation that clung to her every word. It didn't have that constant glow of life and joy so intense that I, to be honest, found it annoying at the time (not that I didn't feel guilty about that). It didn't have that... curiosity. For the first time, I felt like she's asked a question she doesn't want an answer to.

“Is... Is something wrong?” I asked. I didn't expect a straight answer. I really didn't expect the answer she gave me; she closed her eyes for a moment, took my hand, and the airship disappeared from around us. In the blink of an eye, I was standing in a desert of gray rock and sand. The sun shone above, but the sky was still black; an enormous orb, blue and white, hung in the air, far larger than the sun, far larger than anything we could see.

“You're not having a seizure or dream, and you won't need to breathe here. Just tell me... What do you think of it?” That anticipation was back in her voice; the joy was not.

“It's...” The whole situation is too bizarre to process, really, but I do my best and look up. I assume she's asking about the orb; looking closer, I see bits of green and brown there as well, arranged in... the shape of a globe... Now certain that this was a dream, I figured I might as well run with it. I gazed upward again, looking at the strange orb I called home. “It's beautiful.”

“Yeah, but what would you change about it if you could? If you could make it anything you wanted, if you could make a second sun or turn ours green, if you could smash it all with a meteor and start anew... what sorts of ideas do you have?”

I shrugged, and only when my shoulders failed to come back down in time did I notice how oddly floaty I felt – differently from most dreams. “I dunno... What do you mean? I guess if I could make the air smell like mint and cinnamon—”

“You'd end up feeling exactly the same, and mint and cinnamon would no longer be used as seasonings because they just taste like air. All I'd be doing is stealing those flavors from you.” Something about that wording bothered me, but I ignored it. “But— I don't mean to discourage you, I just... Go ahead.”

“Well... Maybe I'd get rid of the Ochre Pox? It doesn't seem like that's doing anyone any favors-” “You'd be surprised. When you guys get around to curing it, it'll give you a love of the scientific method that you're going to be very, very thankful for in about ten... dammit, what's the word. Eons? Seconds? I'm pretty sure it's not furlongs this time around.” She sighed. “Look. Forget the specifics, forget where you'd stick the volcano that looks just like your face or whatever. Just... more generally. What would you change?”

I paused for a moment, and considered an answer. “Well... I mean, after ending suffering and conflict, I'd probably j—”

We were somewhere else. My surroundings made no sense to me; an endless sea of white orbs, an inversion of the blackened starry sunlit sky of the lunar surface. I was weightless, and... well, I'm sure I could have moved, but I didn't want to. I was... comfortable. Every sore joint now slid like it had been greased, every cell in my body felt healthier... and then her voice pierced the serenity.

“Do you think this is as pretty?” “I... I don't know. What is this place?”

She looked away from me, and floated toward a particular orb, about ten feet away. “This? This is a perfect world. A world of no struggling, no pointless feuding, no turmoil. No desperation, nor the depths of inspiration or heroism that are only reached with the help of that desperation. No starvation, so nobody needs to concern themselves with farming, or even knowing how to. Or eating. Or sensing. This is a world that has been allowed enough peace to reach the final peaks of technological achievement, at which point no more were possible. The coefficient of friction, the gravity, the speed of light... everything carefully calculated and calibrated in the name of one goal. Maximizing the happiness in this universe.” Having retrieved the orb, she held it in front of me. “Each of these is a city of minds, extracted and patterned into an extremely complex pattern of metal and electricity. All compressed into one. All feeling near-infinite joy, all freed from the burdens of our bodies. Sounds great, doesn't it?”

She paused.

“They're not even dreaming in there.”

“What do you—”

“They're not talking. They're not pondering. They're not playing, dancing, learning, running, hunting, eating... They're not falling in love and eloping from cruel parents, because there's no cruelty and there's no childbirth and everyone's already in love with everyone else. They're not setting out on adventures to explore the unknown, because everything's known. There are no robberies to thwart, no mad kings to overthrow, no disasters to save anyone from. No child will ever grow up here. Nobody will pass away and be a remembered inspiration...”

She scowled. “In some of these worlds, they just delete the oldest minds once in a while. Their families don't even acknowledge it – either the system trims those out, or they're too happy to care. If there's an accident, the system just recreates whatever was destroyed.” She grabbed another of the orbs in her other hand, and held her hands out to her sides. “If we weren't here, this world wouldn't even have movement or heat. As far as I'm concerned...”

She clenched the orbs tightly, and cracks started to form on their surfaces.

“This is a dead world.”

She swung her arms forward, and as the orbs touched, I found myself hovering over a terrible place. The fumes of burning rubber and gunpowder stung my nostrils; I was too high up to see anyone distinctly, but it seemed like a writhing pool of horned humanoids, grasping and mauling at each other, occasionally giving way to one of several spiked ground-crawling machines parting the seas before them as they drove through the crowds. Rivers of molten metal flowed, lined with primitive stone molds to channel it off and make swords and armor from it. There were no corpses – they seemed to burst into an ooze, then leach away to the edges and form into new people. I assume her direct intervention is the only reason I could stomach the sight of it.

“And this is, undeniably, a living one. Just look at all that activity... all those social connections being formed and immediately giving way to betrayal, all the depraved, instinctual clawing for scraps of food, all the sadism of the powerful and the rage of the weak that motivates them to rise up against their oppressors. They'd switch places about four times a day – not that I'm going to let this place exist for that long. I do enjoy watching you mortals do things together, even the occasional war, but...” A mountain-sized red diamond appeared in the sky before driving its spike into the ocean of the damned, and began to pulsate threateningly before she wordlessly took my hand.

We were in the airship again; she grabbed my hand tighter and looked straight into my eyes for only a moment before looking away. “...I guess what I'm asking is, where would you draw the line? Making your world too happy would be the same as killing it... You'd allow a few failures, a few mistakes, a few people being weaker or pettier than they should be. You'd make a world where bad things happen to good people sometimes. You'd let a lot of people die now if it means everyone else will be able to truly live later... Right?” Once again, she looked into my eyes only briefly before rapidly turning her head away.

I didn't even get a chance to answer before I awoke in my bed.

“All Magic Leads...”

With a creak barely audible over the screams outside, the door to the interrogation room opens, and my guards bring the witch in.

I'd expected either some flashy anomaly decked out in glamoured robes, or an untidy bog-dweller. Not this. Clad in a tunic and hood, and aside from looking a little younger than her gaze implied, she seems... Normal. Messy brown hair, light bags under her downcast eyes – like an overworked surgical academy student, more than anything. Could've been somebody's daughter. She seemed... Bitter, but not at us.

The guards unceremoniously shove her into the simple wooden chair, to some grunting noises, then return to their positions beside the door. I reach for a reminder card I kept tucked into my desk drawer – a little rummaging inside it, and I'm reading. “By the order of the King, His Majesty's loyal service guiding us each day, you should be informed that you have the right not to incriminate yourself—”

“Shut it.” Her voice is... sharp, cutting through the air more like a dagger than a scalpel. It wasn't loud, but in this stone room with its echoey acoustics, it rang. A brief silence from the chaos outside seem to cease briefly after it; the guards look each other, and then one of the King's dragons roared, and she spoke again. “Look. I've already lost everything you can take from me, but I know you keep interrogation logs forever. Just let me say my piece for posterity, and you can... I dunno, drop me in a lake of lead or whatever it is you do to us these days.”

“It's molten bismuth—” Even through that messy hair, her glare is clear as day, and I opt to move on. “Right. So, you are being charged with... 'heresy so breathtaking that it falls to the Church to define it better.' You did something so uniquely evil they didn't even have a law against it yet, huh?” I chuckle to myself a little – even having read her file already, it sounds ridiculous. “I'm not cleared on the specifics, nobody tells me what's going on out there, but how in the hells did a daughter of nobility get that on your file? Did you make some kind of... sin-weapon?”

I chuckle, and her silence tells me enough that I stop. “Not quite deliberately,” she says, once the room is quiet – her own incisive tone now mouse-like to match it. “It wasn't supposed to be a weapon.”

I scowl. “How would you ever think it could be anything else? A force that runs on blood? I've been in magical places, and I could feel how profane the very air was, corrupted by—”

“IT WASN'T BLOOD MAGIC!” Her hands were on the desk, cuffs broken into shrapnel behind her, a wind howling through the shut-windowed room, pulling all that messy hair back so she could stare into my eyes. Outside, I heard something collapse. “It...” The iron drains out of her, leaving her deflating into something more like a crumpling sack of leaves. “It wasn't supposed to be blood magic...” she whimpers, as she pulls herself back to her seat.

One of the guards takes an unsteady step towards her; she rolls her eyes, and extends her hands behind her, resignation in her eyes as he approaches to put a second set of cuffs on her. A moment later, she was as she was before, downcast and irritated. “Right, well... What was it supposed to be, then?” I pause, and realize, “Because I'll admit, that didn't feel bloody.” I glance to my stenographer with a glare, and she quickly scribbles out that line.

“Stargazing.”

“Huh?”

“When I was a kid, I had a friend I'd go stargazing with sometimes. I'd sneak out of my parents' place at night, run with him to the big hill on the north side of the City, and we'd watch them go by.” Her mouth curled downward. “My parents thought stargazing was something nobody decent did. A watchmaker and a chemist, both telling me I should only care about what's on Earth.”

“Strict, huh,” I say, looking to my stenographer. “Unfortunate, but I know some families are like that. A good defense against the dark arts.”

“Hah! Defense.” She spat, and yet no spit seemed to actually emerge from her mouth. “A defense made of deadbolted doors and torn-up science texts. You know I didn't get to see the moon until I was nine?” She sighed. “So I snuck out, and without any astronomy books, we'd just make up our own constellations of what we saw up there. Y'know that hook on the Overfed Camel's nostril? We made that the keyhole of something called Heaven's Lid, and its hump became the Leafy Bandage. Just watching nature and making fun little connections.”

“And that led you to magic?”

“That led me to my friend tumbling down a hill, me getting a stain on my dress from treating his cut, and when I got home my parents were waiting for me. They said he'd been doing blood magic, beat him, and broke my telescope. I never saw him again, and I heard his family was wanted for questioning.”

“...My condolences,” and I catch myself before too much sympathy comes out, “witch.” She proceeds with a dismissive “Eh. It taught me how to make bandages from leaves, and I have a lot of fond memories.” The dismissive words do not line up with her strained tone.

“So, what does that have to do with magic?”

“Well, when it came time to choose a career, I applied with the pyrotechnician's guild. I remembered those days of stargazing, and I wondered, what if I could give people something new to look at in the sky? None of that stargazing people were so scared of, just... Something anyone could enjoy.” She seems more wistful with each word she speaks, bitterness slowly fading. “So many days making great booming bursts, a common experience across the City as the starscape was for the planet! More colors than the heavens, brighter than the moon – and yet all created from earthly things and the hands of mankind...”

I double-check part of her dossier. “And your guild was shuttered over accusations of encouraging illicit use of magic?”

Her voice immediately turned sour. “We were shuttered because we didn't want to put drugs in them. The archbishop gave us something he called 'holy water' for a show on the Ceremony of Pillars, our best instructor refused, and they hauled him away for possessing an illegal 'magical' potion – namely the holy water.”

“Miss, you can't possibly intend such slander against the Church—”

“Keep writing, and add the slander to my list of charges.” Her voice was snarling again, and I noticed a small crack near the far side of my desk. “We burned our remaining stock and schematics after that. Not giving the Church a way to brainwash people with our craft.”

“The Church only wants what's best for us,” I guiltily lie. Her gaze softens, as if with sympathy. “Moving on. What did you do next?”

“Well, I decided to return home. With pyrotechnics ruled out, I figured maybe I could learn some trade skills from my parents, something to combine their knowledge of chemistry and mechanics. Patent Medical-47991-H, I know you've got the file for it in that folder of yours.”

A moment of shuffling later, it's in front of me – schematics for a strange sort of gauntlet, a little like the Claw of the Damned but without the big spike near the wrist, hoses running through it. Just like the one sitting in her confiscated personal effects. “It's... a glove?”

“Look at it a little closer.” She's actually grinning now – she seems to be proud of this. “See those little tubes? Put a vial of healing potion in that reservoir, and it'll trickle it through those little pores in the fingers. Wear it during surgery, and it keeps anywhere those fingers go sterile and nourished.” The logic seems sound, I conclude, looking it over, although the tubing seems to coil in some superfluous shapes. “Why does it look like a leafy bandage?”

“Because I was having fun. All that connecting disciplines of machines and chemicals made me think of connecting the stars again.”

“...I'd complain, but my files say this thing actually cut surgical infections by 40%. I've seen the King pardon people for murder for lesser contributions – why didn't this work for you?”

“Because it doesn't work anymore. Try putting it on for a moment.”

“Are you mad?”

“Look, nothing in that device can draw blood – the worst it'll do is pinch you a little with its hinges. It's been vetted by the patent office. Go ahead.”

Reluctantly, I lift the fragile contraption, a leaf of coiled tubing visible on the back of its palm, and slip it on. Several springs and hinges seem to adjust to my grip, I feel a slight pinch— and then I smell something foul in the air, something all too recognizable. I scramble to rip it off my hand, and it falls to my desk with a clatter – blood dripping from its fingers, staining a couple of her dossier pages.

Looking at my (unharmed?) hand in utter horror, I clench it into a fist and swing across the table. It feels like I'm punching a very light statue – she doesn't flinch, but her chair slides across the ground. “Did you just try to make me cast blood magic?” I sneer at her.

“Thought you might react like that,” she laughs bitterly before coughing up a significant quantity of blood. “It only drained from me, and it only did it like this because the Leafy Bandage's been ruined. Your soul or whatever's intact.” Another cough, more blood. “It didn't use to work like this. 40% improvement rate during its limited trials, remember? Not that it ever got used for anything more serious than cosmetic surgery.”

“...You're gonna have to explain to me how this works, eventually.”

“Look, here's the trick – you see a pattern in the stars, something everyone can see, something too alien for earthly concerns to matter in it, throw in a little pain as a catalyst, and it just works. I can't tell you why that leaf pattern made the potions dispensed three times as effective, nothing either of my parents told me prepared me for that. Even I thought it was a coincidence and didn't figure it out until I started work on my next glove. Patent Medical-48030-H.”

“You... You mean to imply that you made a magic of astronomy? Of seeing constellations?

“Anyone could if our current bevy of 'known' constellations weren't all useless. Nothing in an official astronomy book has ever gotten anywhere, but when I look up at the sky and make connections on my own... Things happen.” I open my mouth, but before I can even begin considering never looking at the sky again, she interrupts me with “Patent Medical-48030-H,” and I reluctantly go back to my papers.

“Next glove, eh... patent 48030, 48030... ah, here we are!” Once again, it matches one in her personal effects – although hers has a giant chunk of wiring ripped out of it, and this one on paper has the same familiar leaf shape, in copper instead of tubing. “Magnets and springs everywhere, but no hoses. What was this for?”

“To make someone feel better. In my trials of patent 47991, I met a girl I knew we wouldn't be able to save. Caught the potionbane pox at 12, it never went away, and when I met her seven years later later her organs were shutting down. So I tried making something that would bring her calm and acceptance, instead – something to heal mental ills.”

“With massages?”

“Look, I'm an engineer, not a poet. And even poets don't have much reassuring to tell someone who's dying at 20.” She looked over at my blueprints. “The leaf sign worked much the same there as it did on the last one – by the blueprints it should've just shaken and vibrated a bit, but if you press it to someone... for a couple minutes while its springs stay wound, no pains in the world can get to them. Not the pain of never getting to live a real life, not the pain of not getting to meet enough people.” Her eyes begin to tear up. “Just a couple minutes where that poor girl could feel like a person, not an unfairly condemned death-row inmate.”

“...I'm sorry.” I pause for a couple moments, caught up in sympathy before fury comes back to me. “It still doesn't excuse the use of magic, but—”

“Like the hells it doesn't! Your Church had nothing for Seria—” She stops, takes a deep breath, and relaxes slightly in her chair. “Look. Point is, I made it with the leaf and a small needle – coated with enough potion not to bleed, just big enough to cause a little pain to start the reaction – and it worked pretty well, but it's hard to believe in a symbol of healing when caring for someone dying. So I tried a different one of my old constellations...” Her eyes grow somewhat wide, and she goes from confident eye contact to a thousand-yard-stare, gazing into the glove's abyss of torn wiring. “Heaven's Lid.”

“...Witch, are you—”

it wasn't supposed to be so deep

The thought seems to come from within my head, the witch frozen in her contemplation without moving her lips, and

i just thought she'd get to look through the keyhole and see something nice

but a little bloodless pain picked its lock

it opened

it opened so fucking wide

and it

was

b e a u t i f u l

“...Seria Jacobson, deceased age 20. Several months after your last contact. By all reports, the funeral...” I reread my notes, making sure to quote them literally. “ 'Was interrupted as the deceased's body was suddenly disintegrated in a pillar of light.' 40 witnesses, 28 of whom recanted after a visit from the archbishop. I take it you were among the 12.”

i finally did it

i made someone truly happy

not with some transient fireworks

not just by giving them superficial improvements

i made it so this girl missed out on nothing

i should never have doubted this force's capacity for good

...

When I regained my own thoughts, one of the guards had collapsed, and the other was limping over to apply a third set of cuffs to the witch, as she sobbed with her face in her hands.

“...And you still submitted the design to the patent bureau, despite knowing it worked on magic.”

“I only had suspicions!” she cried. “What I knew is that it worked on Heaven! That somewhere above us, beyond convention, lie the possibilities to connect things into things that this world can benefit from! Can you imagine what we could make – what we could find, or maybe even simulate with enough fireworks?” There was a sneer in her voice again; the varnish on my desk began to crack. “If magic could be this simple, this non-bloody, this beneficial, have this much potential, and if the alternative was to blot out the sky and drug people and block the gates of Heaven with illusions just to keep them away from it?” My desk was rotting now, and one of its legs began to sag. “I wanted it to win. Who even cares about the power boost of blood magic when you can get all this from the stars? Who'd even resort to that when healing and Heaven are this easy? That cancerous taboo's haunted me all my life, and I never even wanted to break it!” The screams outside were growing by the moment. “So I made another invention. You don't have a blueprint of it – they've been burned – but it's the black one you confiscated.” Her voice had cooled to a raging simmer now, and my desk's ongoing rot seemed to have stopped.

I reached into the bin, and removed a black gauntlet. “A Claw of the Damned.”

“The Hand of the Stars,” she snipped. “Built with potion-lines and vibration magnets alike. That pin-board on the back can be rearranged to form any constellation up there, connecting them with electrical force. I joined some stargazing clubs outside the City, ones completely oblivious to magic, and showed them that with this little design and some interpretation of the skies, they could heal people. Or just feel nice, as the case may be.” She sighed. “I distributed a few of them with the Leafy Bandage already in place. They had a little fun with it. One or two tried making their own constellations... I was so proud of them...”

“And then they figured out it was magic?”

“And then they figured out it was magic. And realized that, technically, they were surrounded by potential blood mages. And immediately lost their damned minds.” She sighs. “You'll notice MINE still has a little potion-coated needle for the pain catalyst. Not one of those modded wrist-gougers you'll see those psychos outside using. Not the GIANT BLOOD RESERVOIRS those damn drake-riders are carting around. You think I wanted people to kill each other for more physical power? You think I wanted people to be any better at killing each other? The point was to give them everything they wanted so they'd never need to.”

She buried her face in her hands, again, and sat like that for a minute before I spoke up.

“So, what did you learn?”

“That what you fear-driven fools want, more than anything, is to hurt each other, and you'd blind the skies to avoid admitting that? That if I ever showed anyone Heaven's Lid, then Heaven itself would be soaked in blood, leading to horrors I can scarcely even imagine?”

“No. That all magic leads to blood magic, witch,” I said, motioning to the guards.

“It... it doesn't have to be that way! You've seen the stars, and with Heaven among them, can you really tell yourself there's nothing up there? That you'll never draw a few lines between them?”

A mental image enters my mind unbidden – a box, opening, and a moment of hideous bliss – and terror strikes me. I scramble to put any other image in its place, a sword, a corpse, anything— and I settle on a skull, helpfully provided from some abyss of memory and imagination.

“But it IS that way!” I shout, brushing an image of a starfield out of my mind, a memory of every walk I've taken at night. “Take her away!”

As my men march her out, I ruefully glance out the window.

And I see that same skull peering down at me from the stars.

Faith and Doubt

I flip through the pages on my Kindle. Reverence to spirits of nature. Herbs associated with healing and protection. A skull from a bird, which, being in short supply within city limits, I have been forced to replace with chicken bone from last night's dinner. Lights off, I pronounce words that I know to have great and powerful historical context, but they just don't seem to mean anything coming from me; I make the motions associated with banishing my fears and insecurities into a figurine in the center, and I'm left afraid it won't work.

I sigh, blow out the candles, and fight the urge to feel silly about myself.

For most of my life, after childhood Catholicism and before delving deep into alt-psychology with the intuition boost of estrogen, I've been an atheist; no, atheist understates it. A grudge against religion for telling me stem cell research and transgendered life are abominations had generalized itself, and I hated all tradition and faith with the same intensity. I saw what people called lost ancient beauty, and thought “good thing we're smarter than that now”; I saw gods as kludgey explanations for natural phenomena we'd now decoded, and spirits as wishful thinking gone amok, both standing in our way to further progress (views some omnipotent future AI would probably find ironic). Magic was just a way to feel like you're doing something about that which you can't change.

And yet.

I review the spell formula. Evocations of deities whose names might mean nothing to me, except when propped up and misused by modern Christians – but once upon a time they meant so very much, and it wasn't all just fables told to children. Gods are not mere stories – they are egregores, thought-constructs born of the memetic genes floating in the primordial soup of human awareness, and ones time-tested to appeal to humans for thousands of years. Humans looked at the way the trees grew around them, the way the rain fell and the wind blew, and they named it God, or Yahweh, or Elohim – so many words people came up with for the same thing, each with a history. It's a beautiful concept that completely fails to land with me.

Magic, in my current understanding, is a method of using emotion and metaphor to direct the subconscious, giving it a direction to focus toward and a toolkit to work with as it flails about, making it more likely to produce something and notice opportunity. I can see where these names fit into the ritual, the way they hold that much meaning to people – but the experiences of the modern world just don't build into something consciously communal like a god. Someday, maybe I can have enough reverence and feeling for these gods, these time-tested, resilient egregores that spring from natural phenomena and reinforce their emotional power every time lightning strikes... but for now a lot of the symbolic components won't do. I don't have the required emotional connection to them.

I try to boil the ritual down not to its parts, but what the parts do. A power source here. A vent there. A barrier in the center. Processes that grab your emotion and keep you engaged for a time, with payoffs at relevant points – mulling over your goals as you light the candles, pacing in the incantations that gives your emotions time to process and catch up.

Forays into hypnosis have taught me a lot: the value of a good metaphor, of an intuitive mental model that resists attempts to compromise it, as a powerful tool to process the world. Tell someone their name's locked away in a box and they won't be able to remember it, because they have an intuitive understanding that boxes are separate, closed spaces where things get put away and not accessed. In this light, the metaphor-driven religion of the ancient world looks less like the cluster of wishful lies I once thought it was, and more like a machine – parts interlocking, generating their own emotional fuel, confirmation-bias giving them a jolt of rejuvenation every time the rain falls.

I take this time-tested, subconscious-honing formula, and I consider the parts that aren't working. The raven skull wasn't just wanted to represent Air because it once flew, it's also associated with Air because air is associated with intelligence and ravens are notoriously clever, and because bird bones are surprisingly light, and the experience of lifting one up would catch one off-guard with its lack of heft. I substitute a set of lockpicks, maintaining the connections to subtle movements and absolute freedom of movement granted by one's cleverness; it's not the lightest thing in the world so it's still not quite as good, but it'll do. Water is still roughly as relevant as ever, the same very molecules circulating since ancient times, and goes unreplaced. Herbs I've never taken don't seem to quite fit with Earth's nourishment, regrowth, and fortitude, so I opt for a potted succulent, enduring and healthy no matter how lazy I am about watering it. With a depressing lack of any supernatural beliefs whatsoever, I compromise by representing Spirit with my phone – all its learned autocorrect quirks, browsing history, and idle processes arguably comprise as good a portrait of my soul as the technological world can provide.

Fire, a force of destructive, passionate will, is replaced with an airline ticket stub, the one I got to see my then-dying girlfriend across the Atlantic. Getting it, and seeing her before she passed, required standing up to my family in a real, angry (if nonviolent) way for the first time in my life. It would mean nothing to anyone else, but to me, it means the triumph of emotion, passion, and will over fear and tyranny. It means that enough willpower will destroy anything in its path to get what it wants, and how glorious it can be when this happens. It's going to power this psychological machine far more effectively than any other conceivable source of metaphorical fire.

Lastly, the protection circle. Written with the names of God, names that mean protection and stability, names that mean something so sacred that no demon or idea-construct dare cross it – but to me nothing is sacred, and those names mean false hope and being failed by that same kind of protection, they mean desperate and unanswered prayers to be born in a different body or to different parents. They are names of a pure and benevolent God, to be sure, but one that does not resonate with me. At a friend's recommendation, I replace them with a pattern of rectangles – a brick wall. Simple, solid, effective, and something I've related to in life to be all those things. The metaphor of a brick wall providing resilience has echoed in my mind every time I've seen or brushed against one; its rough texture, its dense weight, its structure of solid and mortar components – these all must become intrinsic properties of Protection for the ritual to work right, and I let the metaphor roll around my mind as I slowly and deliberately draw the chalk lines.

I light the candles. I turn out the lights. I read over the spell again, wishing I had the kind of reverence for its spirits to follow it as written. I read the words, trying to grasp the nature of the gods, represented through these emotional connections.

Earth's certainty and love. “The ancients couldn't have all been delusional,” I think, as I pat the hardy plant's leaves, a sign of irrepressible life. Fear has no place to hide.

Water's tide and nourishment. “Their tides washed indiscriminately, but in the right direction.” I swirl the glass of water around, letting it make waves, but not spilling a drop; I set it back down, knowing that it may wave and ripple, but it's all swirling around the same place. Uncertainty is the way of life – it is not to be feared.

Air's nuance. “The focal points of emotional intensity, the drawing of internal ideas, seeds the unconscious with resilient metaphor to work with and gives it a goal to work towards after confirming its strength with the natural forces of the outside world. All the little things make sense together.” The tension wrench of constant questioning, the rake of hypnotic experimentation, the pick of precise observation, the bump-key of epiphany and willingness to embrace the “petty” solution – all forces that give me strength as they push me towards the truth. “I am capable, powerful, and have a way forward.” I can feel the wind blowing through me, lifting doubts out of my mind, turning a desert to an airborne cloud and leaving nothing behind.

Spirit's perfection and realized vision. “Anyone who saw all these psychological dynamics and quirks in our head – our imagination's dependence on emotion and meaning, our ability to prime ourselves for certain kinds of ideas – would have tried to develop a heuristic for it instead of waiting to find the precise neurochemical causes. The only thing they got 'wrong' was thinking their spirits and forces, things that we can now model as memes and egregores, had a molecular existence – and they couldn't have even known molecules existed! Their worldview had no reason not to be wise.” I open my phone's keyboard, and consider that a sufficiently wise autocorrect algorithm may deduce that it is being typed, and while it's unlikely to know what a finger is, it'll know it has a personality and what it's like. “I have an essence, a soul, an identity – and it has a goal.” My scattered, self-loathing thoughts now have something to bind them together, an idea that repels my fears like holding a cross before a vampire.

Fire's passion. Fire's determination. Fire's knowledge that no matter how hopeless things look, our creativity and drive can find a way out. Fire's indomitable rage over all that tries to hold it back, Fire's warmth and light that brings love to those it wants to protect, Fire's damn-the-consequences approach to getting what it needs now, no matter how ephemeral or brief.

I look at the ticket, and place a ten-pound note over it. A souvenir I brought back. Proof that my rage and love got me something I'll never regret fighting for.

“Fear and doubt are pointless. For all intents and purposes, magic is real. And it will give me what I want.”

I feel the strength of earth in my muscles, the water in my veins, the oxygen in my brain, the collective soul in my mind – and now Fire is raging up underneath it. Confidence, strength, fluidity, identity, and passion, all woven together, forcing all the doubt, all the malevolent spirits of self-sabotaging memes or paranoid possibilities away. There's no place for them here anymore, and I focus on the little figurine in the center, walled in by the sensible reality of brickwork. It's unchanged from the first attempt – a cheap toy picked up from a local store, not particularly meaningful. Before it was just filler; now it's a representation of my old self's noncommittal approach, my scared and doubting self that was too afraid of looking silly to do a ritual properly, my acceptance of mediocrity so I won't have to deal with the shame of failure. It's easy to concentrate on it and feel all those old thoughts being burned away by elemental force shifting into the toy, projecting all the inferiorities I know I've overcome into the one sole representation of their continued existence.

As I blow out the candles, I analyze the ritual, thinking of how my subconscious may have been filled with metaphorically productive ideas – how through its language of symbol and miracle, it served as a reminder of everything I have, everything I care about that gives me strength, and taught me how powerless my fears are before them. In a way, it's like a therapy session. The psychological curiosities are secondary to one question, though: did it work?

I think it did, because after going into this full of doubt and fear, I feel sure that I'll like whatever comes next.

Retaking Fire

What separated man from the apes originally, what gave the pondering and communal a survival edge over the domineering and brutish, was the development of a strange sequence in the human genome – not quite code.

More like a string of self-clearing blank-slate, a development kit for making submolecular instructions and structures of any sort. And its “API” was loaded with tools for manipulating reality, even to bend quantum mechanics in ways that make it clear the chaos of random mutation stumbled on something a logical mind just won't understand.

This sequence, in its original form, was responsive to activity in the human mind, but completely disconnected from all circuits involving consciousness and self-advancement. The only way to activate it was with thoughts aligned with their tribal social model's needs – the communally-minded drew upon the will of their tribe and each component of their “monkeysphere,” and used the “caster's” own tulpic social models as a checksum.

And given the enormously variable nature of the blank-slate section, the mind was eventually able to encode physics-defying recipes in simple fables, unfolding on further thought.

A tribe experiences a drought, their leader's emotions drift to a story told of how the air feels when rain is coming soon, and the rapidly-evolved new sensors in his cells assure him it'll be alright

A band of marauders antagonizes an entire countryside, and its victims' will burns with sheer desire to destroy, feeding off the certainty of how many are being hurt; their blank-slates rolling the dice for aggressive potential as they stew in resentment, until pyromancy arises

It did not take long for gods to arise. With the powers unreachable by one's own will, people gave names to the social-model egregores in their thoughts, the ones holding the real powers

The successful ones gave their tribe guidance and direction, and held fables and emotions carrying recipes for strength, fertility, artisanship – ways to survive and compete

Some humans realized this effect, and the cult of personality was engineered – a tribe of followers who equate your will to their own! Those who exploited it earned their names in the history books

And eventually, a god of gods arose – Roma, the god egregores worship, a shared emotion all could draw on together for meta-inspiration, the sum total of their ambitions. A goddess of hope itself.

Anyone who had hope could draw on her. Any egregore could find a place in, or under, Her pantheon. She was the sentiment every deity under her care had agreed to: “KEEP THE PEACE AND PAY THE TAX, AND THINGS WILL ONLY GET BETTER.”

An underlying selection-pressure, giving the chaotic maelstrom some shape. A hierarchy of specialized deities – Mars's worshippers' blank-slates like adrenaline rushes, the artists of Venus channeling collective want for beauty into motor control and more color receptors

A minor change arose to the blank-slate – a partition just for Roma, a way for even egregores to eke just a little bit more by beseeching the collective will. Gods that wanted to keep Her running got more power.

And then Hope died.

Too much knowledge to ignore their slave-holding sins anymore. Too few enemies left to conquer. Egregorical competition like cancer. The possible causes are debatable, the cadaver wasn't.

And egregores, like their constituents before them, who had evolved to draw power from the collective, now found themselves bereft of a vital organ.

Many gods died. The rest took the resulting despair, the confusion, the fear that without Hope their precious humans would never be anything more than their basest instincts – and they built a usurper to fill the gap.

The usurper was built of reactions rather than inspirations, and it had inherited an empire of its own – its wisdom to establish or preserve such needed not be tested, only its ability to give spellcasters some coherent source of emotion, knowledge that what they're doing is what “the world” wants. The pantheon of lowercase-g gods just needed a reason to continue surviving.

And when “the world” abruptly looks like a very bleak place, you need a very bleak outlook not to be disillusioned – and disillusionment means no magic.

Hope was replaced with its opposite – an eternal maiden, ever optimistic, with a bitter, pragmatic Whore of Babylon, a technician in false joys, drunk on tragedy and carried by subhumanity. A creature of coldly exploited instincts, of bloody dominance and hopeless submission. A creature that reveled in the new nihilism and drew strength every time the world made less sense.

A creature born of the utter horror of a world without Hope, and a certainty that nothing could ever improve.

Egregores were now required to pay ideological tribute to the Goddess of Despairing Acceptance, required to have a big-picture belief that the world is a miserable, predictable place that, logically, should be destroyed.

And so the capacity for magic became unusable for anything but escapism, short-lived gratification, and suicide. Those with their blank-slates wide open used them to produce toxic drugs, exploding glands, mutations to kill or succeed but not to survive

Babylon's influence spread like a virus across the mindscape. Those with smaller blank-slates or incredibly stubborn egregores were less affected. And as Babylon's flame continued to burn in a city of wood, only a few temples of ignorant brickwork stood.

Those who had forced an artificial construct or a pointed ignorance into their blank-slates, ostensible defects carried along by the empire, had gradually let this capacity for magic atrophy. And now, every bit of magic was being turned against its owners by a metagoddess of suicide.

Her fire never stopped blazing. It grew ever more spiteful, ever more loathsome of being tied to humanity – and the faintest glimpse of it could blind you, turning any magic capacity into self-attacking omnipotent lupus

And so, only those without ears to hear could avoid hearing the words of despair. Magic sensitivity plummeted to zero, the factories of our genes long abandoned.

...

It's some time in the future. Medical science has rediscovered the blank-slate, and finding that our emotions and mythology hold far more sway with it than conscious willpower – which makes experimentation difficult.

A video has gone viral, despite the Prometheus Group's best efforts. A young, sickly-looking man, gene unlocked by mutation, points his hand at a sabotaged car, and something manifests in him and the terrified crowd – and thick slime surrounds it, modern polymer muffling the ensuing bomb blast, powered by collective desire to fight to live

Prometheus thought they were the only ones trying to unlock this gene for the masses. Their approach would connect it to our consciousness – making godlike power independent from any model of the collective's will.

Want something to happen? It happens. No ifs, and, or buts – you are your own God. Completely self-directed. They offer a prototype of the procedure to their most trusted employees – their workers time-dilate their way to superhuman efficiency, their field agents are unstoppable forces, and someday their sponsors will have immortality

And then their staff received an email, informing them they now had an enemy.

The Whore's Goblet, a reclusive cult at the heart of countless conspiracy theories. They've begun their own work on the gene – making it work like it once did, making it ever more powerfully receptive to the will of the masses.

They want Her back. They believe Her light is greater than anything an individual could make. And they promise that Her glow no longer carries the radiation-sickness of suicide and despair – She has a vision for humanity and will light the way through it. They may be right.

“She hates humans for killing Hope, she hates the parts of us that would never change, like us being stuck on Earth, and us being stuck being us... but technology can change us now. We don't need to be here anymore. We don't need to be human anymore.”

“She can be happy again. She can be Hope again. But not if your organization closes off the people's hearts to Her. Putting magic in the hand of the consciousness would make us apes in the jungle again. Cease your operation and join ours.”

Prometheus did not comply.

Assassination attempts were expected. The unleashing of a mass-unlocking bioweapon in a crowded area, giving them pack-altruism-fuelled powers and leaving their minds wide open to the Whore's maddening whispers, less so.

The world is now in a power struggle, one that gets noisier by the day. The Goblet runneth over with convertees and nascent lesser gods, and Prometheus is in a race against time to preserve consensus reality – but are they saving the world, or dooming it to stagnation?