write.as/jonbeckett

I chatted briefly with an old friend on the internet today about the various machinations involved in bringing a podcast to life. Just as I started firing questions at him, he reminded me that content counts for far more than sound quality, editing, post-processing, or anything else. He should know – he works for the BBC, and records one of the best podcasts I know.

Before saying goodbye, I arm twisted him into recording a chat with me for my podcast at some point. Ok – maybe not arm twisting as such – more “can I record a chat with you?”, “of course!”. It's worth noting that he writes a very lovely blog, and has done so for almost as long as me.

After taking on board that it's all about content, and not about equipment, or software, I ordered a new microphone for myself – to help with the content, honest. I'm pretty sure having a shiny new microphone will help enormously with content (stop laughing). Seriously though – the new microphone and it's stand will make me look almost professional – or at least as professional as you can look with the cheapest podcasting kit available via next-day delivery from Amazon.

This whole podcast escapade has turned into a snowball rolling down a snowy mountainside, hasn't it. I need to stop writing about it and just get on with doing it. As an aside, I found out why the sound was so awful on the first episode, and have hopefully corrected it for the next one.

Anyway.

In other news, I watched the first episode of “The Witcher” earlier – while everybody else was out. Am I the only person in the world that couldn't make head or tail of the story? I asked my other half – who has binge watched the entire series – and she said it took her several episodes to sort out the various inter-leaved stories too. I don't quite know why Netflix threw money at “The Witcher” anyway – they should have carried on making “The OA”.

To start the podcast, a look back at my own blogging journey, the platforms I have written on, and the people I have crossed paths with along the way. I have some homework to do on the audio quality, editing, and planning – but at least it's a start.

Click the link below to listen to the episode:

#0 – Jonathan Beckett – Testing 123

To start the podcast, a look back at my own blogging journey, the platforms I have written on, and the people I have crossed paths with along the way. I have some homework to do on the audio quality, editing, and planning – but at least it's a start.

Click the link below to listen to the episode:

• #0 – Jonathan Beckett – Testing 123

After taking our middle daughter out for her sixteenth birthday last night, we got home at about 10pm, and three hours later I somehow found myself in the depths of quite possibly the deepest rabbit hole yet.

I started tinkering with the software needed to record a podcast – to have some control over the sound coming into the computer, and how it is recorded. After an hour of head-scratching, I've come to realise just how skilled sound engineers are – or rather, the mindset they have that I lack.

Armed with a good friend on the other side of the world, we jumped down the sound recording rabbit hole together – and somehow succeeded in recording both sides of a Skype Conversation with no feedback, and no background noise. Given that I was sitting in the UK in the early hours of the morning, and she was sitting in Melbourne Australia, several hours ahead of me, the resulting recording was somewhat miraculous.

I supppose in some ways the process of discovery was controlled by a lack of funds, a lack of knowledge, and a lack of talent. Rather than having any sort of plan, I tried to solve problems as they occurred – usually resulting in one or the other of us realising that either we couldn't hear the other person, or they couldn't hear us for the last several moments. That happened several times.

Perhaps the most amusing problem to solve was the microphone stand itself. Rather than sit there like a lemon holding the SingStar microphone I had acquired from the children, I found an old desk lamp and tried to jam the microphone into the wires above the light fitting – which worked to an extent, but also perfectly translated every vibration of the desk straight to the microphone – a sound not unlike somebody hitting a telegraph wire at a distance with a wooden bat (don't ask me why I know what that sounds like). Rather than put an order in with Amazon to acquire a cats-cradle style microphone holder, I wrapped my trusty SingStar microphone in a duster, and jammed it back into the desk lamp arm. It worked. Almost perfectly.

At least I now know why the cats-cradle microphone holders exist.

Finding my way through the software maze took longer than I'm willing to admit. I have ended up using a piece of software called “Potato” (no, really) to capture the various sound sources, and record them to MP3. I am then using another piece of software called Cakewalk to edit the recorded conversation, and to mix it together with background music for a lead-in, and lead-out. I haven't actually done that bit yet (because I have no conversation to do it with), but at least I know HOW to do it.

The end result of all this idiocy is that I might conservatively claim to be ready to begin recording podcast content. As soon as I've written a few notes to guide the first episodes along, I'll give some friends a call, and see how they feel about spending an hour chatting with me.

This whole podcast escapade is starting to feel a little more real, and I can't quite decide if I'm excited or scared. An old friend emailed me, and asked how I thought people might react to my accent (I sound very, very English) – I'm guessing we'll find out soon.

It's rare that I'm lost for words, but even two hours after a long journey home, I'm still trying to decompress, and absorb the events of the evening. It's all a bit difficult to explain too – because, you see, this evening I returned to 1985. Not the 1985 I remember either – I returned to 1985 in Hawkins, Indiana – the setting for the TV show “Stranger Things”.

My eldest daughter and I were bought tickets for Christmas – to visit the “Starcourt Mall” at a secret location in London on the 12th January. Although we instantly knew where the name of the location came from, the rest remained a mystery over the intervening days – only knowing that we would have to dress in period clothes.

I'm trying really hard not to break any confidences, expose any secrets, or ruin surprises for anybody that might stumble upon this post in the coming days – while the Starcourt Mall is still open for business.

Imagine walking through a door into 1985, and into the world of a beloved television series. Imagine cutting yourself off from the world you have always known, and diving headlong into perhaps the most confounding shared experience you might ever try to describe – shaking your head as events unfold around you, and only realising after leaving that from the moment you walked in you were on the stage – that you were a part of it.

You pick it apart afterwards, you try to deconstruct the experience with those that shared the secret with you, and you smile. The most interesting thing? You have no photographic proof – only memories, and stories.

For several hours this evening, the Hawkins of 1985 came to life, drew us in, erased the lines between fiction and reality, and left us stunned, and struggling to decompress for some time afterwards.

Secret Cinema is a wonderful, wonderful thing.

Our middle daughter is 16 years old tomorrow. I still think of her as the unsure little girl clinging to my leg at infant school – I probably always will. There is a small bundle of wrapped presents waiting for her in the living room – among them a card game we have been looking at for as long as I can remember.

Have you ever heard of “Magic the Gathering” ?

I've heard other people talk about it in guarded tones – some sort of dangerous secret from their youth. They exchange knowing looks, and protect their secret.

So yes – we have a smartly wrapped box in the middle of the living room containing this dangerously addictive underground card game, along with a number of other bits and pieces that befit a 16th birthday. Of course this is our middle daughter – so the presents are themed towards rugby, music, cooking, and board games – rather than the makeup, clothes, and mobile phones obsessed over by so many of her peers.

I've heard a rumor that a new Warhammer army may be arriving too.

Following a chance conversation with a distant friend this evening, I've been turning an idea over and over in my head. I have no idea how I might go about proceeding with it, but that's perhaps half the fun of it.

This friend – who lives on the other side of the world – made a comment that her latest online endeavor had not attracted as much interest as she hoped. Alongside her day job working in a hotel, she does modelling shoots at weekends – quite often Alberto Vargas inspired photography using old cars as props at vintage automotive events. Here's the thing – there is much more to her than a wicked grin, and a slender leg splitting a 1940s skirt – she has a story to tell – one that few would suspect unless they gave her the time to tell it.

I'm wondering about doing just that – giving her the chance to tell her story. Perhaps not just her though.

Everybody has interesting stories to tell. We might think our own stories mundane, inconsequential, boring – but they explain who we are, and how we came to be here. We are all interesting in our own way.

I'm thinking about starting a podcast.

I hesitate to call it a podcast – rather a collection of conversations with friends – people I have crossed paths with on the internet. From the glass artist in Oregon, to the dance teacher in Newfoundland, the aspiring model in Kansas, the hockey-mom in Ontario, the warehouse manager in New York – the list is endless, and so are their stories. Interesting stories. Stories of happiness, sadness, victory, loss, stress, anxiety, loneliness, serendipity... so many stories that few of us know anything about.

What do you think? And perhaps more importantly, when are you available ?

After a few days bumping along the bottom of the blogging barrel, I have arrived at the weekend armed with a glass of red wine, a new blog, and no idea what my fingers might write next. Once you realise my fingers are almost entirely responsible for the content I publish to the internet, with little or no involvement from my brain, a lot of things start to make sense.

Tears for Fears just burst through the computer speakers with “Everybody Want's to Rule the World” – courtesy of an 80s playlist from Spotify. I'm becoming increasingly lazy when it comes to music – happy to leave a playlist running in the background for hour upon hour. In my teens and early twenties music meant more somehow – the contents of a mix tape was a window to your soul. When somebody shared a tape with you, you knew they had spent hours compiling it – carefully editing and curating – scrawling the artists and track names into the paper cover with care.

My children must be sick of Nik Kershaw, Howard Jones, Duran Duran, ABC, Go West, Roxy Music, The Eurythmics, and the countless other artists of decades past I gravitate towards if left unsupervised. It probably doesn't help that I look down my nose at Stormzy, Ed Sheeran, and Lewis Capaldi with such aloof derision (mostly designed to annoy my children – one of the few vices I can indulge in while washing up to the strains of yet another sentimental whinge-fest by Mr Sheeran).

I remember making a mix tape for somebody I worked with many years ago, and trying to hide a message within the selection of songs. I was secretly moritifed when I learned she had no interest in listening to anything outside of the “top 40”, and had completely ignored three quarters of the tracks I so carefully compiled.

Journey have just begun singing “Don't Stop Believing” – forever etched in my memory as the theme song to that movie where the impossibly pretty serving staff dance on a drink sodden bar without breaking their ankles *. Of course there are other memories of concert footage from YouTube, involving skin tight denim, massive hair, and Steve “The Voice” Perry belting the song out to an adoring audience of similarly stretch-denim clad massive hair fans.

My other half and eldest daughter have just returned from an induction at the local gymnasium. Apparently tonight they went on the walking machines and cross-trainers – doing “cardio”. I guess that means the end of my partner-in-running-crime. Doing the “Couch to 5K” before Christmas reminded me how much I like running. It's a shame the weather doesn't feel the same way – it's been raining pretty consistently since late August last year. Doing anything outside seems to involve coats, waterproofs, hats, and changes of clothes – which in turn causes the biggest clothes washing mountain in the known universe.

Anyway. I've probably rambled on quite long enough. The glass of red wine is now empty, and acquiring another will no doubt involve a walk (in the rain) to the corner shop. I swear the man behind the counter thinks I live on a mixture of bread, washing up liquid, cheap wine, and chocolate.

wp:list * A wonderful friend just informed me that my memory is broken! The lead actress in Coyote Ugly sings “Can't Fight the Moonlight” – not “Can't Fight That Feeling”. Please excuse me while I have wonder what else I can't remember! /wp:list

On Sunday afternoon I will travel into London with my daughter, arrive at a location I am not allowed to share with anybody, and will be greeted in a back street by one or more of a group of kids that walked straight out of the 1980s. We will then walk into a shopping mall that nobody knows about, and spend the next several hours in 1985, Hawkins, Indiana.

It's called 'Secret Cinema', and we got the tickets for Christmas. Each year they stage a spectacular movie or TV themed experience, and invite people to share in the secret with them. In recent years they have re-created Casino Royale, Star Wars, and this summer they turn their focus to Dirty Dancing.

We are walking back in time to Hawkins, Indiana, in 1985 to join Eleven, Mike, Hopper, Lucas, Joyce, Steve, Jonathan, Dustin, and so many more larger than life characters to immerse ourselves in the world of 'Stranger Things'. We will buy ice creams from Scoops Ahoy, play video games in coin-op arcades, and hang out at the Mall for several hours – keeping our eyes and ears open for the principal cast, who will mingle among the visitors, making conversation, and staying in character.

There's more to the experience than meets the eye. We have been instructed to dress as we might have in 1985 in order to fit in, and to take a notebook. Mobile phones are banned. Photography is banned. There is a second story within the experience – one that you can uncover if you dare. I imagine – being the world of Stranger Things – it's going to involve some sort of excursion into the Upside Down, and scare us both to death.

Several parcels arrived from Amazon this morning – the first parts of our 1985 time machine. A varsity jacket, and nerd glasses for me. Hawkins school alumni t-shirts arrive tomorrow.

Now where's that 1985 playlist on Spotify ?

After dipping toes back into the source code that ruled my life for much of last summer, I appear to be largely unscathed. This is worthy of celebration – or at least, the celebration that might be conjured with a glass of left-over red wine while sitting in the junk room at home.

It's difficult to explain software development to people. Imagine writing a novel, and then returning to the novel in six months to change the wording of a few paragraphs here and there, such that they don't cause any of the surrounding story to become broken. Now imagine the story changes are being dictated by a paying customer, and to a deadline agreed before you really understood how those changes might impact the existing text.

Just for fun, now imagine that one grammar, punctuation, or plot misjudgment will cause the entire text to vanish for a random selection of readers at any point in the story – but not always, and they never tell you where or when it started happening – just that it is happening.

Just to complete the picture, before you start writing the story, a salesperson asks how long it might take to write, agrees the story with the customer, and then informs you that only half the timescale is available – but they still want the entire story. Your project manager then sends you a plan telling you exactly how long it's going to take you to write the story they have never seen or heard about.

It's not all bad. Sometimes people buy cookies.

I'm working from home today – to wait for a telephone network engineer visit – to figure out what's wrong with our internet connection.

He arrived late this morning, and immediately set about replacing the wiring and phone socket in the front of our house, and tinkered with the junction box half a mile from the house.

I asked him if he wanted a cup of tea – and then discovered the kids had drunk all the milk. While he tested this and that with a testing tool, Miss 14 (who is on an inset day) ran to the corner shop for more milk. On her return I shouted 'do you want sugar in your tea?', and then discovered the kids had eaten all the sugar too. It's a circular story around here – you look for something that was there yesterday, and invariably the kids have eaten or drunk it.

After testing the phone socket, the internet router, and various wires, we decided that the router was at fault – essentially halving the speed of the internet connection that reaches it. I then spent half an hour on the phone with our internet service provider, renewing our contract, and getting them to send a new router. Actually – I spent half an hour on hold in the tech-support maze somewhere in India, before being transferred back to the UK for the contracts department.

While talking to the contracts department (who would renew the contract, and give us a new router for free), I asked a simple question:

'Why is it going to cost me 31 a month, when it only costs new customers 22 a month?'

'That offer is only available to new customers'.

'But I'm out of contract – I'm a new customer – a new contract'.

'That offer is only available to new customers'.

'Ok – what about the router – are there any options to get a better router?'

'Oh, the new package comes with a new model of router that's much better than previously.'

'What's it called?'

(he tells me the model name)

'That's what we have.'

'No, you haven't got one of those – you've got the old model'

'Well it's the same name.'

(the conversation went round in circles from there)...

Nothing is ever simple, and it seems everybody sits on a throne of lies these days.

I have one more problem to solve – we suspect the wire from the wall-socket to the router is partly to blame for the problems with the internet connection, so I've ordered a new one. I thought I might be able to get one in town, but after doing a lap of the main streets with our youngest, came up empty-handed. The town we live in is becoming increasingly terrible – filled with coffee shops, boutique restaurants, craft beer pubs, hair salons, and clothes shops for women of a certain age.

This was an informational broadcast on behalf of the you're probably not interested party.

I should get on with some work.