Live.Music.Curator

Louise Post of Veruca Salt and her Smokeshow band are back with familiar equipment and better venue than last year. No longer dealing with stolen gear and illness, the band was firing on all cylinders, with Randal Blaschke playing a much more prominent part than at the Echoplex (or missing entirely from Casbah due to illness). Scotland, a little girl in the crowd joins Louise on vocals for Guilty.

The Dumes opened, and an untracked recording exists.

The .onion link requires Tor Browser or OnionBrowser, but will work as long as I'm alive and able to host: http://s35tjjsibx24bjtgbbhfyf2d3hx2b7hxxfpalrdd5wbweorqkqfyh4yd.onion/Louise_Post.2024-04-12.zip/

Temporary links are on ufile.io for non-Tor users, add “https://”

• Louise Post – ufile.io/zv16500w
• Dumes (untracked) – ufile.io/9p5jsc04

The group with weird instruments and amazing music returns to LA for the first time in 13 years! The set felt short considering how long it's been since their last tour and the amount of songs in their catalogue, but any SGM is better than none. Nils is also a member of Faun Fables, and Carla Kihlstedt is a part of Snails (Nils also joins). Melted Bodies was a great opener and a bit of a (good) shock after the Faun Fables.

SGM are on the Live Music Archive (LMA): archive.org/details/sgm2024-04-05

Openers are untracked at the moment, but EQ and balance were done. All sets are available at my .onion site:

http://s35tjjsibx24bjtgbbhfyf2d3hx2b7hxxfpalrdd5wbweorqkqfyh4yd.onion/

As usual, Tor or Onion Browser (iOS) are required to access .onion sites.

ufile.io links (add “https://“) are good for a month:

• Faun Fables – ufile.io/xew83j8h
• Melted Bodies – ufile.io/wkau6ao3
• Snails – ufile.io/7dcbua89

Carla Bozulich (Snails) is also on LMA, but I prefer a tracked recording be uploaded there.

I missed them at the SD Observatory in February, but managed to get a decent spot with the help of a friend for recording Jess Gowrie, Brian Tulao, Ben Chisolm, and Chelsea. The stereo image is a bit strange but live recording is always a compromise, especially at the Novo. Ben was behind the synths and keyboards the entire time and didn't play bass or backing vocals at all.

Divide and Dissolve opened and were loud, peaking a full 6dB higher on my recording than the headliner. I didn't get their setlist and I'm not sure how many or what songs were played.

The .onion link requires Tor Browser or OnionBrowser, but will work as long as I'm alive and able to self host: http://s35tjjsibx24bjtgbbhfyf2d3hx2b7hxxfpalrdd5wbweorqkqfyh4yd.onion/ There's other Chelsea Wolfe recordings there, too.

Temporary links are on ufile.io for non-Tor users, add “https://”

• Divide and Dissolve – ufile.io/p7sfymfs
• Chelsea Wolfe – ufile.io/e2s6e035

The above will expire in 30 days or so.

Fantastic sound and mix all night at the Lodge Room in Highland Park, Los Angeles. Both openers performed with the headliner (TWDY). Symbol is Christopher Royal King's solo project, and Christopher Tignor also performs with TWDY.

TWDY performed Tunnel Blanket in full with an extra drummer, a string quartet and George on vocals.

• Christopher Royal King
• Jesse Kees
• Robi Gonzalez
• George Lesage Clarke
• Christopher Tignor
• unnamed 2nd drummer
• Emily Elkin
• Marta(?) (on viola, Tignor introduces her quickly right after Emily)
• unnamed harpist

All recordings are available at:

http://s35tjjsibx24bjtgbbhfyf2d3hx2b7hxxfpalrdd5wbweorqkqfyh4yd.onion/

(Tor or OnionBrowser are required to access .onion sites)

Tracked versions will appear later, since I've still got a few hundred recordings to sort through...

Temporary files up for a few weeks:

• Symbol – ufile.io/r23kwiu3
• Christopher Tignor – ufile.io/p873ov4g
• TWDY – ufile.io/jamu5i7q

The Complex returns with songs new and old. We got a new special guest, David Binny on sax for several songs. Neil Popkin returns for vocals on Newerwaves.

Bass was on the heavy side and some EQ was done to trim it in my recording.

Jimmy Chamberlin – drums Billy Mohler – bass Sean Woolstenhulme – guitar David Binny – sax on several songs Neil Popkin – vocals on Newerwaves

untracked, lightly edited recording is here for a few weeks: ufile.io/coqxoa03

It'll also be available forever via Tor .onion site: s35tjjsibx24bjtgbbhfyf2d3hx2b7hxxfpalrdd5wbweorqkqfyh4yd.onion

You'll need Tor or OnionBrowser to access .onion sites. A tracked version will eventually appear.

The best Ocean show I've ever seen, but the crowd gets pretty rowdy at times and I had to do some dodging.

Both openers sounded good with some EQ: the drumkit on stage was too close for my liking. The Ocean's drums were at a better distance for recording.

I only discovered The World Is a Beautiful Place & I Am Not Afraid to Die a few days before the show but I'll definitely see them again.

It was my first time hearing Shy, Low; and they were pretty good even though the bassist seemed to drown out the guitarist on the audience right

I'm not going to track recordings for a while, it's too time consuming and us old farts were fine in the days of tape. Tracked versions may eventually appear, but my priority is getting stuff out there, first.

http://s35tjjsibx24bjtgbbhfyf2d3hx2b7hxxfpalrdd5wbweorqkqfyh4yd.onion/Ocean.2024-02-28.untracked.zip/

As usual: Tor, OnionBrowser, or maybe Brave is required for .onion sites.

The ufile.io links are available for a few weeks:

• Shy, Low – ufile.io/18hdqxez
• TWIAB – ufile.io/h6eqbuh5
• The Ocean – ufile.io/pfcjad54 (headliner)

(add copy+paste them to your browser URL bar, I can't have too many links in a post)

So many recordings, so little time. I've decided I'll just do some light EQ and post untracked recordings since tracking + envelopes for crowd noise are time consuming. And back in the day people were fine listening to shows and albums all the way through on tape without tracking.

Openers also recorded: Mato Wayuhi NOAMZ (incomplete)

All are available indefinitely on my Tor .onion site: http://s35tjjsibx24bjtgbbhfyf2d3hx2b7hxxfpalrdd5wbweorqkqfyh4yd.onion/ (you'll need Tor or OnionBrowser to access .onion sites)

Temporary ufile links are only good for a month:

BBES – ufile.io/8aarhdq7 Mato – ufile.io/udhni2pp NOAMZ – ufile.io/2nhne1vc (incomplete)

Enjoy!

The trio of Tasha Dorji, Marshall Trammell, and Aaron Turner marked my first return to 2220 Arts + Archives (formerly the Bootleg) in several years. It was a night of experimental guitar and drums with a massive ending and look of relief as the trio finished their tour in LA. The front stage sounded every bit as good as I remembered it from before the pandemic. Patrick Shiroishi opened and was also recorded, but my levels were a bit on the low side since I was dialed in for the main set.

Both another prolific taper and I managed to get to excellent, yet very different spots for Björk's Cornucopia at the Shrine Auditorium on 2022-01-26. It turned into a 3-person effort when an experienced editor stepped up to mix our sources. What our recording can't reflect is the mind-blowing stage setup and visuals of the show.

My recording of a surprise acoustic Smashing Pumpkins (Billy and Jeff) set at Zia Records in Las Vegas made it to LMA: https://archive.org/details/tsp2014-12-14.1am Again, my levels for the quieter set were dialed in too low since I was setup for the preceding electric set at Brooklyn Bowl also appears at https://archive.org/details/tsp2014-12-13 I also recorded the opener, Fever Red, that night. Gina Gleason of Fever Red would go on to join SP on stage the following year at The Joint, and join Baroness in 2017.

All aforementioned recordings are at: http://s35tjjsibx24bjtgbbhfyf2d3hx2b7hxxfpalrdd5wbweorqkqfyh4yd.onion/ You'll need Tor to access .onion URLs, or OnionBrowser if you're on iOS.

Warning, very long and rambly post lies ahead...

So it's been a month since I started hosting recordings on my Tor .onion and this blog. The most notable recording is the one off BREATHEWATCHLISTENTOUCH: The Work and Music of Yoko Ono from 2019-03-22 featuring musical performances by Shirley Manson, Francisca Valenzuela, and many others. While Yoko's own music isn't for everyone, I found the musical performances that night surprisingly accessible and enjoyable, so you owe it to yourself to give it a chance.

The rest of my Shirley Manson recordings are with Garbage, and I've got plenty of those recordings in the queue (some or most of which may've been covered and released by other tapers).

My most recent recording is Shiner at Zebulon on January, a few nights ago on 2022-01-24. I'd only heard of Shiner a few months ago at the recommendation of a friend, but they're right up the alley for fans of Hum, Failure, and other heavy shoegaze.

My oldest (published) is Fountains of Wayne at the Troubadour from 2011-10-13. It's not a unique recording at all and I wasn't alone in taping that night; I generally prefer recordings made with omnidirectional mics. I've got at least one other FoW show in my queue. Song title help for the Mike Viola opening set would be appreciated.

Also from the Troubadour, Devin Townsend's performance on 2011-10-24 was my first time seeing him headline. There's numerous more Devin concerts in my queue, so expect more.

Possibly my most popular recording will be Billy Corgan at the Lodge Room on 2019-11-05; and it doesn't require Tor to download! https://archive.org/details/wpc2019-11-05.4063 I don't have any more Corgan solo shows, but do expect some from the Smashing Pumpkins and side projects of their members.

That Corgan recording and BREATHEWATCHLISTENTOUCH were my most challenging editing processes in terms of dynamics and audience noise, while Shiner and Spirit in the Room where some of the easiest.

I'll likely upload Local H @ the Roxy on 2016-06-02 to archive.org, soon but there might some small level tweaks for the quieter songs of the set before I upload. My last show of 2020 featured Local H at the Teragram and I intend to publish that sometime, too; along with several other Local H recordings I've made over the years.

I've also published my penultimate 2020 show with Cult of Luna, Emma Ruth Rundle, and Intronaut at the Fonda on 2020-03-10. What a blast that was. Older recordings from each of those artists are also in my queue, and hopefully we'll see future ones, soon.

While I'm sure another copy exists and was likely published, my recording of Nina and Louise (of Veruca Salt) at Amoeba Music on 2015-07-13. Most notably for me, this acoustic version of “Come Clean, Dark Thing” is far preferable to the brickwalled album version.

I also published my recording for Mazzy Star in Ventura on 2018-11-01. This isn't the only complete recording of that show, and while I'm usually not completely happy with recordings I make with high-quality microphones; they are miles better than what phones can do. I've also got a Hope Sandoval show in the queue which isn't half bad, but this is my only Mazzy Star recording.

Riverside in Whittier on 2015-09-27 was probably my most anticipated show of 2015, and one of the rare ones where I used X-Y cardioids to record. I've got at least one other Riverside show in the queue, and hopefully more in the future.

Since Riverside and The Pineapple Thief have overlapping fanbases, and I've made some EQ tweaks to my only Pineapple Thief recording so far on 2019-12-09.

My favourite recording of all time remains Morcheeba at Pappy and Harriet's on 2019-10-12. I published both those Morcheeba and Pineapple Thief recordings shortly on a semi-private tapers forum shortly after the pandemic started, but hopefully this gives it wider exposure. Expect a Skye+Ross recording at some point, too.

My second favourite recording of all time is currently Steven Wilson from The Belly Up! on 2016-11-06. Unfortunately, Steven banned his recordings from DIME and The Traders' Den, so I will likely honor his wishes beyond those torrent sites and not share it, here. Friends who know me personally already have a recording of the second set :) That night in November 2016 was a few days before the US election; making the “Sign O' the Times” Prince cover was especially fitting. The live performance was far more intense than his “Cover Version” release, and got me interested enough to explore the music of Prince.

While I don't feel comfortable publishing Steven's recording from the Belly Up!, I have several other recordings from that great venue I can publish, starting with Chelsea Wolfe from 2017-10-02. Though I still prefer my recording of them from Substance 2021 on 2021-11-26. I've got several more Chelsea Wolfe recordings, both with a full band and without; and some of those definitely deserve more focus.

There's also a Jesus and Mary Chain recording from when they opened for NIN on 2018-12-11 at the Hollywood Palladium. Of course I recorded NIN that night, too, and I'm now revealing myself as the anonymous taper who contributed the DPA 4063 source on https://NINlive.com/shows/2018/20181211.html I'm not at all happy with the way my recording was EQ-ed (or not at all) on NINlive.com. Omni recordings typically need significant EQ to sound good on full-range playback systems and I plan on re-EQ-ing and sending that to NINlive.com once I'm done and their site is back up. That wasn't even the only show I recorded on December 11, 2018 :)

For reference, all my recordings will be available at: http://s35tjjsibx24bjtgbbhfyf2d3hx2b7hxxfpalrdd5wbweorqkqfyh4yd.onion/ indefinitely. You'll need Tor to access .onion URLs, or OnionBrowser if you're on iOS.

tor2web.io (and other tor2web nodes) may work, but there's more reliability problems and whoever runs it could shut off access at any moment (or even alter downloads): https://s35tjjsibx24bjtgbbhfyf2d3hx2b7hxxfpalrdd5wbweorqkqfyh4yd.tor2web.io/

PS. I'm using the term “taper” because the term seems to have stuck despite everything being digital, nowadays.

As someone who frequently goes to concerts and tries to record the loudest sounds, earplugs are critical to my enjoyment of nearly every show I attend.

For moderately loud sets, I currently use silicone Etymotic ER20XS earplugs, and had the non-XS version before. For the louder rock and metal acts from the front of the venue, I use shiny, closed-cell foam plugs (such as Howard Leight Max). I will switch between different earplugs at the same show depending on the set and my position.

The trick to getting earplugs to sound good is to insert them deeply and expose as much of the outer ear as possible for the highest frequencies. Nobody should be able to see the plugs when standing anywhere in front of you, and they're barely visible even if someone is standing next to you.

While foam plugs seem crude to some, I've enjoyed the loudest sets far more nowadays than back when I only had silicone plugs. I roll foam plugs up, insert them deeply, and hold them in while they expand. I even try to insert plugs several minutes before the start of a set so they can warm to body temperature and stabilize while my brain adjusts.

One of my ears has a shallow canal, so I've cut the first (of three) flanges on my ER20XS and cut roughly 1/8” off the foam plugs to get the required insertion depth without causing pain. Be very careful trying this, though, as you don't want to get an earplug stuck!

In my experience, open cell (dull) foam plugs don't sound good because the openings absorb too much of the high frequencies. Those are great for sleeping, but not concerts. I'm also unlikely to try custom ear plugs since:

1. they're expensive and I tend to lose or break things
2. ear canals change over time and they need to be re-molded

I buy foam plugs in bulk, and ER20XS only cost $20 USD.