Creativity
July 2020, Bangkok
It’s a very strange sensation to fully feel just how much has changed over the years internally. It’s a mix of different factors all together. First of all, it’s how much time has passed so seemingly quickly from a point in time where the personality was markedly different. Five years ago doesn’t feel like a full five years. Perhaps because it’s been the most stable five years in mental terms, even given the current circumstances with all its uncertainty. Secondly, it’s an unwillingness of internal forces to entertain old practices. For instance, creative writing was a huge part of my life. Almost all of my waking life was devoted to its practice, if not formally—like hours spent writing and editing—then it at least figured into taking notes on passing ideas all throughout the day. It was the bane of my existence for a few solid years, it was even the source of income for more than a year. And to think now that even though the ideas still flow, the motivation to express them is simply unwilling to comply. Motivation is concerned with other things nowadays. Every attempt to put something into a creative writing pursuit is met with an overwhelming sensation of just how much of a waste of time it is. Is it really worth it just to put another story into the world? Time could be better spent. Does it really help any internal processes at this point? They’re already heading in the right direction, without the unnecessary dangers inherent in the writing process. Dedicating the amount of time that used to go into creative writing into meditation instead has changed so much in a very profound way, on many different levels.
It’s very easy to see, at least on the personal level, that so much of what fueled creative writing all those years ago was ego cultivation. It’s hard to see a lot of the impulse to be creative these days as anything else, mainly because the trap is so easy to fall into given our cultural conditioning. It might be this inability to see any other basis for motivation from within that halts in its tracks any cultivation for desiring creative pursuits, but that could lie solely within personal subjectivity. It could also be that noticing how unskillful it is to get wrapped up in generating emotional material and feeding on it has caused a similar aversion. After all, most of our popular art forms aim right at emotional manipulation, especially movies, music, and literature.
The correct way to go about future endeavors into creative expression would have to fall under a sort of Buddhist justification; does it aim to get people onto the path, or help people along the path? That would have to be the criteria. That, however, might just be such an overwhelming restriction so as to smother any creative impulse. It could also be the perfect restriction that allows only the best ideas to work with to come forth. It’s a completely uncertain method that can only be tested through experience. Perhaps even the process under those guidelines is part of the path itself.