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In Connection With This Post: Haruka Kasumi
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Haruka Kasumi appeared as if she were “untouched nature itself.” She debuted in AV with a raw, unfiltered presence that delivered a remarkably fresh shock. She embodied the innocent beauty of a rustic countryside girl or a real-life college student from the neighborhood—no signs of plastic surgery, natural facial features, minimal makeup, an untrimmed physique, with healthy natural curves, full hips and thighs, soft and plump breasts, unpretentious facial expressions, and clumsy gestures. …
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In Connection With This Post: Sana Mashiro .02
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Since the 2010s, the infinite expansion of SNS platforms within the internet and mobile environments—notably through TikTok, Instagram Reels, and YouTube Shorts—has altered the expressive range of the female body down to an unprecedentedly microscopic level. Today, the choreographed poses of K-POP idols and influencers are consumed daily, as naturally as the air we breathe in digital spaces. While direct exposure of intimate areas is avoided, the codes embedded in their movements clearly imply sexual metaphors.
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In Connection With This Post: Minori Hatsune
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Minori Hatsune, at the time of her debut, emerged as a performer with a distinctly Japanese look—rounded, cheerful facial features paired with large breasts, a classic combination. The AV industry in the late 2000s had not yet been saturated with celebrity-level visuals as it is now, and slightly awkward appearances were still common. ….
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(Screenshot: Yua Mikami #1 TEK-071, Debut / #2 OAE-101)
In Connection With This Post: Sana Mashiro .01
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Mainstream celebrities, driven by the capitalist system, are generally armored with meticulous self-management and defensive personas that leave almost no room for subtle public intimacy. Yua Mikami, who debuted in 2015 after being a member of the Japanese idol group SKE48 since 2009, is the quintessential example of this celebrity attribute transplanted into JAV.
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In Connection With This Post: Ai Kurosawa
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Ai Kurosawa boasted a characteristically Japanese, cute yet distinctive face, an extreme wasp-waisted hourglass curve, and voluptuous breasts. She was a rare hybrid actress combining a mature Western silhouette with an Eastern scale. …
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In Connection With This Post: Sana Mashiro .00
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In the history of Japanese pop culture, the so-called “innocent-glamour” (清楚系巨乳) type, which once defined an entire cultural trend for a generation, is now approaching a state of oversaturation. From roughly 2010 to 2020, JAV solidified the “innocent-glamour” archetype into a near-genre of its own, rendering the formula of “innocence contrasted with lewdness” no longer novel.
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In Connection With This Post: The Vagina as the Second Face .02
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When you observe the pussy closely, it almost seems to speak. Interestingly, the folds surrounding the pussy are called the labia—a Latin word meaning “lips,” derived from the same morphological origin as the lips of the face. This linguistic–morphological lineage already suggests why the pussy can function as a second face. The structural and functional isomorphism between labia and lips is unmistakable.
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In Connection With This Post: Yuzu Ogura
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Yuzu Ogura presents a highly unrealistic figure in terms of bodily proportions. Her limbs are slender, giving her an overall girlish silhouette, but her breasts are exceptionally large, creating a somewhat deformed shape that evokes a cartoon character, making her attractive. …
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In Connection With This Post: The Vagina as the Second Face .01
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In the AV·BJ scene, for adult performers who reveal their vaginas, the vagina emerges as a self-possessed subject rather than an object. They render their vaginas as publicly legible as their faces. Within this world, the vagina appears as routinely as a face—it is the performer herself enacting a public claim to vaginal subjectivity.
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In Connection With This Post: Shoko Takahashi
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Shoko Takahashi is not simply someone who “really, really wanted to do AV.” After her private sex tape was leaked and she came under intense pressure to be blacklisted from the entertainment industry, she chose to debut in AV—half willingly, half unwillingly. Debuting under the Muteki label itself symbolizes the fall-from-grace performance of an exiled angel—a kind of head-on breakthrough strategy. …