viewPluribus Episode 4: Please Carol
See 100 Word reviews of previous episodes here
Carol can’t help herself as she amps up her war on the Uni-Consciousness. Fun with chemistry turns disastrous as she concocts new ways to hurt Zosia et al.
Watching television crafted by Vince Gilligan is like being in the hands of an artisan who makes beautiful things. As much as the Big Ideas of Pluribus are a philosophy class, the small moments like Carol setting up her camera (has a memory card ever been so cinematic?) or the Paraguayan’s existence in his bunker, communicate vividly.
Some might view Pluribus as a bold defense of individualism; I am not so sure.
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viewPluribus, Episode 3: Grenade
See review of the first two episodes here
In the aftermath of almost 100% of humanity entering the singularity, our cranky protagonist, Carol, is refusing to deal. But when even a grocery run to Sprouts typifies the emptiness of having every need met, avoidance is futile.
Gilligan humanizes AI slop through Carol's keeper, Zosia. She is a hive mind Amelia Bedelia, glitches at emotion, and one sip of vodka is enough to chat out random Wikipedia entries.
By Grenade's end, Carol understands the crowd-sourced charm offensive she's experiencing and the power both she and they hold. Carol now enters a race to protect her individualism.
Keep watching it.
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viewPluribus: First Two EpisodescApple TV
They avoided me, I avoided them. The hype cycles, that is. I knew diddly-squat about this show other than showrunner Vince Gilligan (Breaking Bad/X-Files) and lead actor Rhea Seehorn (Better Call Saul).
If you entered unspoiled, I love that for us! Instant canon for prestige TV debut episodes. Hit me like the Lost, Mr. Robot, or Mad Men premieres did.
Gilligan is a craft master. Seehorn holds the pluralities of the lead into a singular force. Mystery boxes are quickly discarded, and these episodes establish a hub of infinite possibilities.
I held my breath through these two. Watch It.
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