Lighthouse Artistry ®

† Roshan Gurmeet Singh

It's them who are using more dark practices than actual dark practitioners.

The fact that cruelty is part of their regulated industry is disturbing.

The media propagates corpses, majority of the populace eats corpses, while you pray for world peace.

They try to cast hexes at people who decided to see beyond duality and project their own unhealed trauma upon the able.

Its the same concept for primates under rigorous testing.

They originate from human beings, not vice versa.

Each exchange you create energetically creates hooks in the aura that links your awareness to the system you want to create, or it creates you.

Fucking parasitical, insane, evil, hypocritical zombies.

Every quest for territorial expansion is a symbol of your impotence.

They have made the business of religion continentally bias, therefore anything to do with something spectacular be it something archaeological or extraterrestrial, they will try to get their paws and label.

Jazz is spontaneous, impromptu and expansive, for the canvas of any artistry is.

Almighty God is above thought, consciousness is a serpent, the body is a tree.

Someone roused me up by sending me 🎶

The variations of the humanoid form are endless.

The mainstream system is majorly funded by the meat, tobacco and alcohol industries through corporate networks. The religious institutions are also funded by them.

Is the despair of the voiceless animals less important than your rituals?

Then what is that अहिंसा plastered all over these locations?

Why don't they use coconut milk?

What's the point of alchemizing all that energies, when it is the same energies that was brought forth through pain?

A sovereign, independent being who can culminate their own food is a capitalist's nightmare.

Anyone who has a gambling habit has cords in their aura and are highly parasitical energetically.

They are like zombies who thrive on the health of others to sustain their abused humanity, because they depend on the system for their tweak.