There are always stories all around us, waiting to be told. Finding those stories is often just a matter of looking at things in new ways, taking the time to uncover the narrative within them.

That’s the goal of the exercises below: unlocking the stories that are inside objects you see and use every day. You can use them to start a new story from things in your environment, or picture the objects in your characters’ environment in a work-in-progress when you’re stuck in a story and not sure where to take it.

I love a good writing prompt. Or even a not so good writing prompt. Honestly, anything that gets my creative mind going and takes it into a new place is a winner in my book. And starting from something that’s inherently entertaining, like a board game, can be especially valuable, in my opinion. It shifts your mind out of work-brain and into fun-brain, taking away some of the pressure of producing words and helping to silent the inner critic so you can just enjoy the process.

Because that’s what writing should be, even if you’re writing about a serious topic, even if you’re a capital-A Author who does it for a living: joyful. If you’re not engaged by your own writing, no reader is going to be, either. When the writer takes joy in the creation process, that comes through on the page.

I’m a sucker for a mailing list. Anytime I research new journals and presses to submit to, or go to a conference or bookfair, I end up subscribing to a plethora of new lists.

Of course, doing this, I’ve signed up for a bunch of newsletters that were…less than helpful. Inevitably, I’ll come to realize my inbox is getting inundated and embark on a purge. But there are newsletters I’m always excited to see pop up in my inbox, and a few I’ve come to anticipate, to the point I’ll go searching through my spam folder to double-check if I don’t see them.

There are times ideas spring into your brain faster than you can get them on paper, but even the most prolific writer sometimes feels the frustration of staring at a blank page waiting for words that don’t want to come.

I’ve read several short story advice books that give the mildly infurating solution to “just start writing,” which is kind of like telling a lost traveler how great the subway is but not how to find the station. If I knew how to just start writing, I would already be doing it.

To be fair, I get what these writers are saying. Once you start putting words down, they build on each other sentence after sentence until you find that flow that carries you through to the end. The question is how to unlock those crucial first words to open the door for the story you want to tell.