KassArt

This one is about my art. Everything that can be done on a blank background will find it‘s way here. Stay tuned!

Hey there! Cinnamon started a series of competitions to increase engagement with the platform. I really like the idea so I am in! I also love the set up of this challenge: It can be widely interpreted so I can make it fit to my style of content. So expect me to jump into many of those competitions and I want you to do the same! Challenge me with your content. I am really looking forward. But if you do so, expect fierce competition and follow the rules:

https://www.cinnamon.video/challenges

So what is the topic of this Challenge? Cinnamon want's us to tell about our coworkers who work with us from home during this time of lock-down. I used the occasion to test my sketch abilities and to give you a quick introduction of my most important Co-Workers (but if you watch my video until the end you will see, that there is only one essential coworker always with me). Check it out!

https://www.cinnamon.video/watch?v=325927696427123862

The brushpen I used is a Pigma MB brushpen:

The better the reference picture the more potential in your final outcome. That is why I picked a high quality photo as a reference for my next drawing. Of course it also means more details, but we are here to draw. So don't complain about details.

The Witcher is my next pic(k)! I did not choose the character out of the video game but out of the Netflix Series. Why? Again, because of the details. A real life person has more details than a rendered character out of a video game. At least until nowadays.

The series and the game are based on books by the polish author Andrzej Sapkowski. Fun fact: The author does not like the game. Although the game is a worldwide success the author still seems to be disappointed on how tha game studio “realized” his vision.

Anyhow, the success was earth shattering and this is also due to the awesome story telling. In fact they decided to make a Netflix series out of it. First season already came out (and I bingewatched that whole thing).

To shorten the waiting time until season 2 I decided to draw Henry Cavill in his main role of playing the witcher: Geralt of Rivia. And here is the video:

https://www.cinnamon.video/watch?v=320092508988114122

This piece is just one step on my way of mastering art. I change the media and I want to be able to create different styles of art pieces. Follow me on my journey here on Coil and on Twitter!

I also made an additional video with my own thoughts on the drawing process. I explain the techniques I was using and the challenges I faced. Unlock my bonus content to dive deeper into this kind of art. See you on the other side!

Read more...

...or the inofficial part 3 of my hand tutorial...

We previously learned the biology of a hand. We used our imagination to draw hands. We even made a detailed creative picture out of our fantasy. So we improved our skills drawing hands without a reference. But that should also affect our skills when we draw with a reference photo. It changes the way we approach drawings like these: Earlier we were drawing what we saw. We copied it.

Now we are able to understand the architecture of the hand – so we can deconstruct the photo into simplified shapes. Since we have the anatomy in mind we can reconstruct the whole hand and draw it. And even if it is not exactly the same position like in our reference – it will still look right. Fantastic!

And here is my video how I did this drawing. It is a little gift for my mom on mother's day.

https://www.cinnamon.video/watch?v=315811623858079145

This piece is just one step on my way of mastering art. I change the media and I want to be able to create different styles of art pieces. Follow me on my journey here on Coil and on Twitter!

https://twitter.com/KassjanS

I also made an additional video with my own thoughts on the drawing process. I explain the techniques I was using and the challenges I faced. Unlock my bonus content to dive deeper into this kind of art. See you on the other side!

Read more...

Welcome back to the second part of improving our skills to draw hands. In this part I will directly continue where I stopped last time. After I had learned the basic anatomy I imagined different positions of a hand and also different perspectives from where I looked at it. This is a good exercise to check if you understand the anatomy and also to train your imagination. Of course this exercise was not flawless. But as I already said: Leave your plan behind that everything you draw will be perfect with your first try. You will do mistakes. Get it in your head. And if you are a perfectionist then don't let it get into your way. Try to figure out where you went wrong – maybe try to imitate the position with your own hand – and repeat the same drawing. Repetition is key!

Yeah, yeah, I know what you are about to say:

“But that isn't fun!”

And I agree! But let's be honest. The words “fun” and “learning” are not the best friends. So walk with me and repeat drawing the same hands. And don't worry: In the end we will do something creative.

So when you do these itereations concentrate on the architecture of a hand. Get the basic forms right. Ask yourself if the hand looks realistic and then start with the next one. Forget about the shading (at first) and forget about the details!

Here you find the video of the repetitions I did and you will also see how I conducted my anatomy studies.

https://www.cinnamon.video/watch?v=311401840073770422

After this exercise I thought about a topic where I can combine the anatomy I just learned with something creative. My first idea was to do a zombie hand where the rotten flesh and the muscles are hanging down since gravity is pulling at them. But then I chose to draw a machine which is building a human hand. And here is the video:

https://www.cinnamon.video/watch?v=311411790917404139

Closing remarks: This was a short series of drawing hands. I will definately come back to this topic. During my studies I found out that it is not only about the anatomy you have to learn. You have to understand how the anatomy occupies space depending on the position of the palm and the fingers – or as we know from part 1 of this series: the phalanges and metacarpals. In addition to that to master this topic you have to know the consistency of the muscles and the flesh which varies depending on the muscle tone. So there is a lot more to learn which I will put in other blogposts for you.

In the subscription-only content you will find out about the reason why I decided to refresh my understanding of the anatomy. Check it out!

One more thing: My next article is a graphite portrait. The reference picture also includes a hand. So let's see how it turns out this time!

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Welcome back! It is time for another tutorial. But I would less call it a tutorial because I don't see myself as a teacher. I love doing art. I love drawing and painting. And I want to get better. In this channel I am just passing on what I learn myself. And I learn by watching other artists doing their work. Seeing others excel in art is so inspirational to me that my desk drags me back to pen and paper.

I already knew – if you want to be good at drawings, you will have to understand proportions first. Start with studies, than you know the language of the forms and than you will be able to draw out of your imagination. So I went back to the drawing board and took the pencil in my hand. Motivated. Ready to start. But before I really started drawing I was first watching some videos of experts which are well established in this niche. I can really recommend these:

https://www.youtube.com/channel/UClM2LuQ1q5WEc23462tQzBg

https://www.youtube.com/channel/UCHu2KNu6TtJ0p4hpSW7Yv7Q

So I didn't use the lock-down to binge-watch Netflix (later I did) but to watch all the videos about drawing hands. And then I came up with my own one. And here it is. In this video I explain the anatomy first. Starting with the bones, the muscles and the fatpads. I will then give you guidelines about the proportions of a hand and how you can break it down into simplified forms. In the end I will show you some hands I drew out of my imagination. Enjoy watching and join me in drawing hands!

https://www.cinnamon.video/watch?v=310012907930781087

Hey there! My next article is definately a result out of the lessons I learned before. The conclusions I drew affect my next try. And this next try can lead to new problems. And this is exactly what happened here. These are all steps on my way to master different kinds of art. I change the media and I want to be able to create different styles of art pieces. Follow me on my journey here on Coil and on Twitter!

https://twitter.com/KassjanS

First of all: This time I wasn't just drawing and painting a face. I aimed for a whole upper body which results in more details, in more clothing to draw and in getting the body posture right. And that's challenging. Secondly I changed the technique from wet-on-wet (wet watercolor on wet paper) into wet-on-dry – at least mostly. I still started out the first layer with the wet-on wet technique.

The challenges with this painting here were quite different. The main challenge was not about having no control about the color bleeding effects and the patchy drying. It was more about the amount of layers I can add. I found out that there is a limit. And when I exceeded this limit the colors started looking muddy and they didn't dry evenly.

That is enough theory at first. Here is the result of the painting:

https://www.cinnamon.video/watch?v=303480316117386783

If you want to go deeper into theory you will find an additional video in the subscription-only area. There I elaborate more on the challenges I faced and how I almost rage-quitted this painting and what I did to rescue it. By watching this additional video you will understand more deeply the problems about color layering, what kind of measures you can take to rescue a picture and how you can improve your color bleeding skills (especially related to the background). I also publish the metarial I use in case you want to try them out.

See you on the other side then!

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Hey there! While I am blaming my latest water color problems on the paper and therefore ordering different sheets to find out if it is me or the material – I switched to graphite drawings! And I wanted to turn the topic away from portraits to something more fictional: When I do have the time I switch on my console and play Destiny 2 developed by Bungie. It is a science-fiction ego-shooter with role-play-game elements and it plays within our planetary system. This game has a big community and you can earn emblems for special things you do. And the emblem I am aiming for is for artists. I have to post my piece of art on Twitter and get the developer studio Bungie to put it in their blog. And I am curious if I will be good enough to make it!

My drawings have always been more time consuming than my paintings. This one was more than 22 hours. Compared to some portraits I did it takes four or five times longer. I lose myself within the details and I am able to correct mistakes many times. That is a big difference compared to paintings. Water colors are way less forgiving. Both are art styles of their own kind. And I want to master them. And here is the result:

https://www.cinnamon.video/watch?v=302086951819805704

This piece is just one step on my way of mastering art. I change the media and I want to be able to create different styles of art pieces. Follow me on my journey here on Coil and on Twitter!

https://twitter.com/KassjanS

I also made an additional video with my own thoughts on the painting process. I explain the techniques I was using and the challenges I faced. Unlock my bonus content to dive deeper into this kind of art. See you on the other side!

Read more...

My last article was about painting a child. Soft skin, smooth forms – it had all what aging people are wishing for. Everybody wants to stay young. And that gives me the impression that aging itself is way too underrated. The things you get through time are too often neglected or forgotten.

What about the serenity you get through life experience? Or what about the increasing value of a relationship through time?

That is why this post is about age.

My grandmother is having her birthday soon. So I decided to make my next portrait about her. And here is the result:

https://www.cinnamon.video/watch?v=297589621166965953

This piece is just one step on my way of mastering portraits. I change the media and I want to be able to create different styles of art pieces. Follow me on my journey here on Coil and on Twitter!

https://twitter.com/KassjanS

I also made an additional video with my own thoughts on the painting process. I explain the techniques I was using and the challenges I faced. Unlock my bonus content to dive deeper into this kind of art.

Read more...

Back to the roots! With my last piece I was a bit experimental when it came to colors. This time I tried something different: The whole picture should be in similar shades of the same color. I chose a set of brownish tones and I only chose to highlight the mouth of the child. The observer's eye is immediately drawn to this point of interest. It is interesting how an artist can control and play with this attention. I will make a separate post about this but what you have to know is that you something that breaks up a pattern:

- Paint everything in brown and make the mouth red.

- Draw only round objects but make one with hard edges.

- Write everything in normal letters but make only on line bold

Got it? Good!

So here is my newest video about my latest painting.

https://www.cinnamon.video/watch?v=290168993107412943

This piece is just one step on my way of mastering portraits. I change the media and I want to be able to create different styles of art pieces. Follow me on my journey here on Coil and on Twitter!

https://twitter.com/KassjanS

I also made an additional video with my own thoughts on the painting process. I explain the techniques I was using and the challenges I faced. Unlock my bonus content to dive deeper into this kind of art.

Read more...

On my journey through different materials and techniques I find out about tips and tricks. In addition I also search for other content creators who pass their knowledge to their viewers. Since sharing is caring – I want to present you what I learned and I also want to spread my knowledge to encourage people to start painting and drawing and make this space richer of beautiful art. Between publishing my art pieces I will make little tutorials like this which will help you prevent the mistakes I had to make :). Whenever I publish something, I send out a notification on Twitter.

https://twitter.com/KassjanS

The topic of the day is coloring with colored pencils.

For starters: Use the right paper. If you want to use colored pencils, you don't want to have a rough paper. Rough paper makes it hard for you to color it evenly. So you already have to know that there is a difference between hot and cold pressed paper: Cold pressed paper is more rough. If you use a microscope you will find out that the paper, even though it seems to be flat, has valleys and hills. Those valleys and hills are taller here. Hot pressed paper has lower hills and valleys.

Here I made a sketch so you can understand what I mean

(top: cold pressed paper; bottom: hot pressed paper):

Now, when you use colored pencils, the color won't reach the valleys of the paper – only when you press really hard. But you don't want to flatten your paper immediately and I will tell you why. But first take a look at this sketch to understand what I mean.

So the first layer is on the paper. Your paper (hot pressed) now looks like this:

Pretty grainy, eh? To make it look more smooth you'll have to create additional layers. Now create another layer above and change the direction of your strokes. You will flatten the paper a little more and mitigate the grainy look. Again: Don't press too hard! Try to use also different colors.

I know, the process of creating layers costs time, but it also gives you the opportunity to create nice really nice shading and you can let the colors blend into each other.

The amount of layers you can create depends on the amount of pressure you apply. Once the paper is flat and has a lot of waxy layers lying on top of each other your pencil is not able to put anymore color on your paper. The color looks shiny now. Under a microscope it will look like this: flat. That means you are done with this area.

If you are doing complex shadings start with low pressure and use middle tones. From there you can work your way to the highlights and to the darker shadows. To use this technique you'll need colored pencils with a good quality. The reason for this is that the brighter colors are very opaque and can cover the middletones. If you don't have these good pencils, start from the highlights and go darker with every layer.

In my other videos I always tell you what kind of materials I am using in case you need guidance.

I did a little example for you where you can see my steps of filling out an area with color.

https://www.cinnamon.video/watch?v=288270029495993763

Thank you for watching!

I am not only giving tipps regarding techniques. I also walk you through my artpieces step by step. You will find this content in my other posts in the subscription-only content. Subscribe to find out more about making art with colored pencils, watercolor, digital paintings and more to come.