Hoy, me siento orgulloso de ser latinoamericano. Hoy no me voy a quejar de las injusticias, hoy no voy a llorar. Hoy, además de celebrar en una Buena fiesta, es tiempo de reflexionar y empezar a querer a nuestra América, como lo hizo José Martí, ¡a quererla de verdad! Es tiempo de tener orgullo, de levantar la frente en alto y no tener miedo. Mejor sentir el orgullo de venir de una tierra donde nació la raza cósmica, donde se fundieron gente de todo el mundo en un choque donde hubo muerte, sangre, conquista y colonialismo. Pero de este cambio brutal nació la esperanza… una cultura nueva, con raíces fuertes, mezcladas con tierra, lodo, piedra y llenas de vida. ¡Hoy quiero decirle a todos ustedes, viejos, jóvenes y niños que descubran sus raíces! Y así podrán tener el orgullo de ser quienes son y querrán luchar por lo suyo.
Jacksonville, FL – It’s tempting to say the outrageous moral panic and woke-scolding over Joker made it a less effective movie. Tempting but wrong. What really undid this Scorsese-esque ‘supervillain’ film was the rampant over-production of comic book movies (and television shows) in the last three decades.
Chicago, IL – Frank Chapman’s new book, The Damned Don’t Cry: Pages from the Life of a Black Prisoner and Organizer, is getting a great reception. About 30 people attended a book signing at the office of the Chicago Alliance Against Racist and Political Repression, July 2. Chapman’s autobiography is available here.
Chicago, IL – I’ve been waiting for this book. I first read an earlier draft of Frank Chapman’s memoirs in 2014. I thought then and now that this needed to get published, first and foremost, because the revolutionary movement needs it. As a result of the prison abolition movement, there is a broad awareness of the injustice of mass incarceration, but this book sees the revolutionary side of the misery.
Jacksonville, FL – We’re in an era of capitalism cannibalizing itself. Look at the Trump tax cuts that handed out $1.5 trillion to corporations, which then used the windfall to take out loans, buy back their own stock, and inflate their share prices – all to attract more investors and repeat the cycle! Since art reflects our social conditions, we’d expect to see this same ‘cannibal capitalism’ at play in our movies and television – and we’d be right.
Jacksonville, FL – In 2018, I saw fewer movies in theaters than any time since age 3 or 4. It wasn’t just because the high price of tickets and snacks practically requires taking out a small loan. There’s a real lack of original storytelling in American films – especially horror and science fiction – and I’ve gotten tired of countless remakes, reboots, sequels, prequels, sequels to prequels, and so on.
Fort Lauderdale, FL – Award-winning documentary filmmaker Michael Moore has never been one to hold his tongue or shy away from even the most powerful figures. His films and articles often offer illuminating and entertaining critiques of American society, economics, and politics. Fahrenheit 11/9 is no exception. Moore’s newest film takes viewers on an exciting yet terrifying ride through the current American political landscape, and ends by placing viewers behind the wheel.
Jacksonville, FL – After a two-day meeting of the NFL’s 32 owners, on May 23, NFL Commissioner Roger Goodell announced new policy changes in the NFL regarding the playing of the U.S. national anthem before games. The new policy leaves it to individual teams to discipline players for acts deemed “disrespectful” during the anthem but also gives the league wide discretion to fine teams for actions taken by players. The policy was met with cheers from the racist Trump administration, including Trump and Vice President Mike Pence. Trump even said players who don’t stand shouldn’t even be in the country. With many NFL players and their players union, the NFL Players Association, the new policy has been met with backlash with the players union saying they weren’t consulted on the new changes regarding the anthem.
To mark the April 22, 1870 birthday of Russian revolutionary Vladimir Lenin, Fight Back News Service is circulating the following excerpt from his 1918 book, The Proletarian Revolution and the Renegade Kautsky.
Chicago, IL — First of all, this movie took me back to my childhood love of fantastic tales of adventure and romance. So, for me, it was great entertainment made possible by cinematic art at its finest. It was a movie sprung from the pages of a comic book, moving pictures full of enchanting moments of musical chants, poetry flowing through panoramic scenes of spectacular beauty enhanced by the liquid murmurs of water falls. Most importantly, Black Panthe r is a movie endowed with the presence of Black African folk reflecting their social reality as dreams by way of rituals embellished by the contest of battles, dance and song.
To mark the anniversary of the publication of The Communist Manifesto by Karl Marx and Frederich Engels, on Feb. 21, 1848, Fight Back! is reprinting the book’s first chapter. This anniversary comes in the context of a growing rejection of capitalism and a renewed interest in the science of revolution, Marxism-Leninism. Enjoy.Chapter I. Bourgeois and Proletarians
On Feb. 4, more than 500 people protesting police brutality, racism and corporate greed marched on the Super Bowl. These stunning photographs we taken by Kim DeFranco.
Minneapolis, MN – Braving sub-zero temperatures, more than 500 people protesting police brutality, racism and corporate greed gathered in south Minneapolis at Peavey Park and marched U.S. Bank Stadium, the site of the Super Bowl, Feb. 4. Upon arriving at the stadium, hundreds of participants took a knee to show their opposition to racist police terror.
Richard Aoki. Morris Childs. D.H. (Don) Wright. Darrell Grover. Betty and Larry Goff. The “Ad-Hoc Committee for a Marxist-Leninist Party.” Carl Freyman. Herbert K. Stallings. John McCaffrey.
Jacksonville, FL – Two things stood out to me while assembling my list of the year’s top movies. First, it’s remarkable how many science fiction and horror movies I watched this year. Practically every film I liked presented a dystopian vision of the future (or past) or a horrifying situation rooted in the present. No doubt that’s a sign of the times. Between the Trump presidency and the rise of the far right around the world, reality often seems more dystopian and terrifying than anything you’d see at the theater.
St. Paul, MN – In 2017, the people’s movements took to the streets in huge numbers, facing off against Donald Trump as he assumed the presidency along with his band of billionaires and generals. Like many hated right-wing politicians before him, Trump has provoked not just protests but also a lot of music reflecting on and expressing outrage about his reactionary actions and words.
Jacksonville, FL – This past Sunday and Monday, Sept. 24 and 25, NFL football players numbering in the hundreds took a knee during the national anthem at different NFL games. This comes just days after Donald Trump, at stump speech in Alabama, called for owners to fire any NFL player who took a knee during the national anthem.
Chicago, IL – All progressives, anti-imperialists and socialists should see the film A Taxi Driver. This Jang Hoon movie, starring Song Kang-ho as Kim Man-seob and Thomas Kretschmann as Jürgen Hinzpeter, tells the story of the May, 1980 uprising in Gwangju against the extreme right-wing military coup led by General Chun Doo-hwan.
West Palm Beach, FL- On Sept. 3, legendary punk rock band Green Day rocked out before 20,000 screaming fans at South Florida’s Coral Sky Amphitheater. The concert, which started with front man Bille Joe Armstrong demanding everyone “get off [their] asses,” was in fact a two and a half hour show of contagious and non-stop energy and excitement.
Houston, TX – During the last elections, Hillary Clinton, who used a sort of bourgeois ‘feminism’ to sell reactionary ideas to the public. Since then, there have been a number of films, such as Wonder Woman, that use images of powerful women to promote a pro-war capitalist agenda. Atomic Blonde is the latest of this genre, which stars Charlize Theron as a kind of female James Bond, who fights communist leaders in the German Democratic Republic, aka East Germany to help the British Intelligence and the CIA stage their famous 1989 coup d’état.