davepolaschek

woodworking

Originally written August 4, 2020

First, some measurements. I spent the tail end of yesterday sawing all the boards for eleven of the largest cases to size. Here's the cut-list:

Two 1×12×30¼ – top & bottom Two 1×12×14½ – left & right Two 1×8×29⅝ – back boards

Today I spent the day making tail boards, which are the left and right sides of the cases.

Here are the steps for them.

  1. Mark out a pair of boards on one end. I usually plan to make the outsides of this pair the inside of the case. The main reason this matters is that you probably want to mark the miters and rabbets on the board now so you don't forget what you're doing and miter them the wrong way. It happens. Marking out the tails using a template
  2. Cut the tails you've marked. Note that I'm just using pencil lines. They're plenty accurate for sawing dovetails in pine, especially for the first cuts (tails in my case), as I measure the pins from the tails. That's where I need to be more accurate. Tails cut out in a pair of boards
  3. Mark the other end of the board. If your tails are asymmetrical (mine aren't, but if you're making smaller pins, you might want the rabbeted edge of the board to have a thicker tail on the end), make sure to flip the marks. Note my handy story stick. Using a template like this means I'll have all dozen cases looking fairly uniform. Marking the tails on the other end of the board with the story-stick inverted so that the same edge will always be the front of the case
  4. Saw those tails.
  5. Cut the rabbets on the back side of the board for the back boards to fit into. First cut of the rabbets Rabbets completed

If you're in mass-production mode, like I am, repeat. I've got a total of ten more pairs of tail boards to make. I bundle the pairs together with blue tape.

That's it for the tail boards. In a full day, making ten pairs of them is a pretty good goal for me. Whew!


In response to a few questions, I later added the following:

I cut the ends of the boards using my circular saw track guide with a hybrid saw blade in my little cordless circular saw. They're mostly straight off that, but if the two boards in a pair are slightly different in length, or one is rougher, I'll use a finely set block plane to even things out.

I'm cutting everything using a 1:4 dovetail marker I made. They're getting more uniform, and my most common failure is cutting below the baseline when taking out the waste with the turning saw. But I'm getting better and faster with that. Also, when cutting tails, I do all the cuts that slant to the right first, working left to right, then do the cuts that slant to the left, working right to left. Not sure why that exact pattern, but it works for me. I'm also cutting them while sitting on a rolling mechanics stool so I'm sawing only slightly below eye level.

When gang-cutting the tails in ¾ inch stock, I drop the handle of the saw to get started on the line. Two strokes get the line established all the way across, then I raise the handle and three or four more strokes take me down to the baseline. One final stroke, looking in the mirror behind the work to make sure that I'm to the line on the back side of the board, and it's on to the next cut. I think it was a Rob Cosman video I learned from. The turning saw for waste removal is from Chris Schwarz. And then I use a rasp to clean up the bottom of the tail, which is my own fault. Especially in pine, I have too many tear-out issues with a chisel. A rasp lets me clean things up quickly with the tail board still in the vise.

I'm also happy I have my kerfing plane handy. The ⅜ inch fixed fence is perfect for almost all of the rabbets I'm cutting, plus for the shiplap on the two back boards.

My honey commented the other day that she's happy I finally got started on this project, and I haven't said anything, but I realized that almost half the tools I'm using on this project are ones I made myself, and I don't think things would be going as smoothly as they are without them. I've developed a number of tools that work well for me, and I built the prototype box using them and have added where necessary. Plus I have two block planes sitting on my bench. One set super fine for touching up the end grain before cutting dovetails (if needed), and one set fairly heavy, so eight passes on the edge of the board gives me a 3/16 wide chamfer.


Jefferson Bookcases Contents #woodworking #bookcases

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Originally written May 9, 2021

Finished dovetail saw with cherry handle, right side

Finished dovetail saw with cherry handle, left side

I bought a beat up dovetail saw on eBay. Put a fairly minimal bid on it (it was $25 with free shipping) and won. It's shown below. My goal was to have a saw I could practice sharpening and other saw maintenance tasks on, and not feel too bad if I screwed it up.

Saw, as bought

When it arrived, almost a year ago, the handle was even worse than it had looked in the photos, and was just too small for my hands, so I set the saw aside for a while and got on with other projects. Recently, I got “stuck” during my build for the plane swap and needed to work on something else while I thought about how to get past the problem I had created for myself.

I sat down and tried to unscrew the saw nuts on the saw I'd bought. Turned out they were rivets. I ended up destroying the handle I order to get it off, and the holes in the plate were pretty nasty looking. I filed the holes flat (they looked like they'd been punched through the metal, rather than drilled) and started shaping a new handle.

Rough-cut saw handle with the layout lines still visible

I traced the handle on a Bad Axe saw I bought, which fits me pretty well, onto a piece of 5/4 curly cherry I had. There was a knot in it, but I put that in the section that would end up “inside” the handle.

Then I did some shaping with files and such while I waited for new steel saw nuts to arrive in the mail, and then again while I waited for a 3/16 carbide drill bit to arrive after I'd mistakenly ordered a 3/32 bit.

Saw handle partially shaped

Saw handle more shaped, with a coat of oil on it, right view

Saw handle more shaped, with a coat of oil on it, left view

I also pulled the back off the saw plate and cleaned up both the back and the plate. There was a fairly generic “Warranted Superior, Sheffield” etch that was almost gone (or had been etched lightly to begin with). I sanded it away, rather than trying to preserve it. I'm pretty sure this was a post-WWII saw, and nothing special, given the red plastic washer in place of a medallion and the riveted saw nuts.

I got the handle mostly shaped by the time the new saw nuts and drill bit arrived, so I was excited to get things put together. But I'd finished the handle at about an inch thick, which fits my big hands pretty well, but didn't fit the ⅞” long saw nuts I'd bought. D'Ohh!

So I took the handle to the belt sander and thinned it up a little. Which turned out to be good, since when I sawed the slot in it, I'd gotten it a little bit off, and it was off-center and aimed the blade a little to the right. Sanding the handle down let me fix that.

Saw handle, after sanding it thinner, left view

Saw handle, after sanding it thinner, right view, which is now completely flat again

Then I had to reshape and re-oil the handle, but I did that with it on the saw. That let me test it as I went, making sure that it pointed straight and felt right. Last step was cutting chamfers at the top of the handle where the back went into the wood.

A couple coats of BLO later, and the saw is in use in my collection. And I learned quite a bit along the way, and have a saw I can practice sharpening on without worrying about destroying an expensive saw.


Handy Tools #woodworking #saw #handyTools #tools

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Originally written August 20, 2017

Back when I got my Roubo Frame saw kit from Bad Axe Toolworks, I also got the kerfing plane kit. I finally got around to finishing that this morning, and have put it to use.

With the kit you get a saw plate and a cherry board. Step one is cutting a hand-hold in the board. A couple different spade bits, some connect-the-dots with a coping saw, and some smoothing with rasps and files and I had that done.

hand-hold cut, but not smoothed

hand-hold smoothed

Next was cutting a rabbet for the fence. Two saw cuts, and a little cleanup with a rabbet plane, and that was done.

Since I'm mostly after ¼ to ⅜ thick stock at the moment, I decided to make my fixed fence with a ⅜” kerf. So I clamped a couple ⅜×3/16 brass bars to the fence, and sawed right next to them with my pull saw. As it's just barely long enough, I had to start the kerf on one end, other, and then bring down the middle until it was level.

Cutting one part of the kerf for the blade

Cutting the kerf for the blade from the other side

Drill a few holes, and put in the saw plate with the provided saw nuts (much easier said than done), and I had a completed kerfing plane, as shown in the first picture. The final picture shows a ½” deep kerf I cut in a poplar board to test things out. Looks pretty good!


Contents #woodworking #handyTools #tools

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Originally written August 2, 2020 – Note that this is long, and covers how I cut #dovetails in what might be excruciating detail if you already know how to hand-cut dovetails. I won't be offended if you skip ahead.

For this style of bookcase, there is a plinth, which serves as a base, supporting the stack of boxes. Since the plinths are mostly hidden, and the weight is mostly carried by the four glue blocks in the corners, I figured they were a good place to start. Half of the dovetails will be hidden, and only one of the four boards is very visible.

Here's my checklist for building the plinths, along with some pictures of the intermediate steps:

  1. Cut all the boards to length. There are three different lengths of pine 1×4 and two lengths of ash 1×1 glue blocks. Two 1×4×12, two 1×4×31, one 1×4×29½, two 1×1×3⅜, and two 1×1×2⅝.
  2. Mark out and cut tails on side boards (no miters yet). Using a template to mark where the dovetails should be Making small marks for the dovetails Marking line across the board Lines marked on the end of the board Marking the thickness of the pin board Pin board thickness marked Marking the angles for the tails (1:4) Mark waste and rabbet position Saw the edges of the tails With the edges sawn, begin removing waste with turning saw Waste removed from rightmost tail Work left to right, removing remaining waste from each tail Use a rasp to flatten the bottom of each tail
  3. Cut rabbets on side boards, using my kerfing plane with a fixed ⅜ inch fence, and clean them up with a chisel First (vertical) cut with kerfing plane Second (horizontal) cut with kerfing plane Clean up rabbet with chisel
  4. Mark and cut pins on front board, including miter. If you cut the miter on the tail board before marking this, you won't have a full tail to transfer the mark to the pin from, and you'll have to guess where the pin edge should be. That's not a killer, but it'll make for a sloppy joint. Pins marked on pin board, along with double-X marking for where the mitered corner will be Cutting out waste between pins Angled cut for miter
  5. Cut miter on matching corner of side (pin) board.
  6. Test fit. Test fit of first corner
  7. Cut other corner pins on front board, including miter.
  8. Cut miter on matching corner of side board.
  9. Test fit and adjust.
  10. Cut rabbet on front board.
  11. Cut curved cutout on front board. Cutting curved cutout using a turning saw
  12. Smooth cutout with knife and spokeshave. Trimming the end-grain of the cutout with a knife Smoothing the long-grain of the cutout using a spokeshave
  13. Cut pins on rear board, including miter.
  14. Cut miter on matching corner.
  15. Test fit and adjust.
  16. Cut pins on final corner, plus miter.
  17. Cut miter on final corner of side (pin) board.
  18. Test fit and adjust.
  19. Check for square.
  20. Glue up, making sure to glue the front cross-brace to the front board before clamping. The cross-brace's purpose is to reinforce the front board, which has material removed for decorative purposes. It's probably not necessary, as I made a smaller cutout than Schwarz did in his version, but it won't hurt anything, and it helps me ensure that the plinth remains square when clamped up. Plus, as I'm going to be stacking the cases 6 high at a minimum, there will be a fair amount of weight. I'd rather not find out I under built in the middle of some night as books and lumber come crashing to the floor. Thus, the brace. Clamp cross-brace to front board, and clamp plinth together
  21. Double-check for square.
  22. Unclamp after the glue has dried overnight.
  23. Glue ash glue-blocks into corners, short ones underneath the cross-brace board. Note the spacers set in the rabbets so that the glue blocks will be flush with the rabbets, giving good support to the cases. Clamp glue-blocks into corners of plinth, note blocks beneath plinth to help set glue-blocks to the correct height
  24. Plane smooth with a smoother plane, and chamfer the top-outside corners of the boards with a block-plane such that the chamfer is 3/16 inch wide. This should make the top edges more durable as they inevitably get dinged by the cases being set into them. Chamfer top edges of plinth
  25. Three coats of shellac, brushed on. I'm using a 1½ pound cut of blonde shellac.
  26. Sand lightly with 320 grit sandpaper to remove raised grain, dust nibs, etc.
  27. Apply final coat of shellac.

Here's a stack of three of the finished plinths. The middle one is my prototype and doesn't have the mitered dovetails, so doesn't look as nice as the others. I'll hide it in the corner or something.

Stack of three plinths, with prototype version in the middle

And note that while I'm working, I keep all the pieces on my benchtop laid out in order so I can more easily keep track of where I am.

Plinth-parts partway through the procedure, laid out so I can see which part is which

And here's a photo of a completed plinth with the first case sitting on it.

Completed box and plinth


Jefferson Bookcases Contents #woodworking #bookcases #plinth #cutList

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A while back I saw a guide that MaFe had made for his circular saw at his allotment house. I thought it was a pretty neat idea and now that I have a bunch of cross-cutting coming when I start on my bookcases, I decided I needed one.

Circular saw track guide with circular saw sitting on it

It's pretty simple. A 2×2 foot piece of ¾” plywood, two 2-foot tubafors, two 2-foot pieces of angle iron, and a few pieces of quarter-inch MDF.

Top view of the track guide

I glued and screwed the tubafors to the plywood. Next, I screwed the angle iron to the tubafors, making sure I had right angles (probably the most important bit). Covered the screws with some MDF I glued down, and then added a couple more layers of MDF so the motor housing on the saw can't hit the angle iron, no matter how deep I adjust the saw.

Front view of the track guide, showing the MDF holding the saw so the saw won't hit the angle iron sides of the track

The only snag is that this means the saw blade can't quite reach all the way to the plywood base, so I'll likely add one more piece of MDF on top of the base to raise the piece of wood I'm cutting. But I want to figure out the stop I'm going to add before I raise the base.

Top view of the track guide with the saw resting in the track

I also added a few stops. They're basically a scrap piece of pine screwed down to the base, with marks on the far 2x4 to show me where to align each stop. Simple, and fairly fool-proof. I cut board for 70 cases and a dozen plinths, and the biggest variance I could find as I was stacking up the cases was 1/16 inch.


Contents #woodworking #jig #handyTools

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This is a #buildBlog of the process of building the bookcases that hold my books in Santa Fe. I built them myself, and learned a lot about #woodworking along the way, and hopefully can share some of that knowledge in these articles.

  1. Introduction, including a photo of how I set up my workbench for building the bookcases. Having my mise en place consistent made building 70 cases possible.
  2. Building the Plinths, which describes and shows the method I use for cutting mitered dovetail corners while constructing the plinths, on which stacks of bookcases rest.
  3. Large Case Tail Boards (sides), which covers cutting the tails on the side boards of the largest (at this point) cases. I also included answers to some questions people had asked me about the construction process, and linked to some of my Handy Tools I used while building the cases.
  4. Large Case Pin Boards and Backs walks through the rest of the construction of a case. When this finishes, the case is in the clamps with the glue drying.
  5. Winging it with Big Cases talks about how I discovered that the largest cases I had designed weren't large enough for some of my very large art books. So I had to change the design a bit. This is one of the many nice things about building the cases myself. Had I ordered them from a builder, the discovery of the extra-large books would've blown up the cost quite a bit.
  6. A Back for the Oversized Case shows details of the ship-lap joint between two back-boards and puts a back on the oversized case. It also shows how to square up a case which was slightly out of square.
  7. Smoothing and Prep for Shellac in which the hand planes come out.
  8. Cleaning up a Dovetail shows how I cut out the waste between pins (it's a similar process for tails) and then clean up a little using a rasp until the joint goes together smoothly.
  9. First Shellac sees me applying the first two coats of shellac to a case.
  10. Second Shellac gets the third (and final) coat of shellac on a case.
  11. Back Boards discusses one of my first big “performance optimizations” building the bookcases. I cut the time per pair of back boards for a case to a quarter of the time it previously took, from about an hour to about 15 minutes per pair of boards.
  12. Interlude and Medium Bookcases talks about the size of the medium-sized cases to hold hardcovers and shows the cut-list for the lumber. It also has a guest appearance by my Lava Lamp.
  13. More Plinths, Different Sizes covers a couple more sizes of plinths (one for the art books, which will have a deeper case, and four for stacks with a medium case as the base, and smaller paperback cases atop that).
  14. Art Books Case has another cut-list, this time for a larger case to hold art-books. It also describes making 1x16 boards out of narrower pieces by edge-jointing them and gluing them together.
  15. The Littlest Case has the cut-list for the smallest case for very small hardbacks or standard (5¼×7¼ inch) paperbacks.
  16. Three Sizes of Plinths has cut-lists for all three different sizes of plinths I ended up building to accommodate the different-sized cases.
  17. The Little Things covers some tips and tricks I've learned along the way, and has a progress update showing 37 cases in 8 stacks.
  18. A Periodic Update gets the total up to 47 cases in 8 stacks and shows some other numbers in the months of making boxes.
  19. The End of January Update didn't have a lot of progress, but that seems to be how Januarys go around here.
  20. The Home Stretch? is another progress update. Up to 57 cases at this point.
  21. The Wrap-up is a completed project post. The grand total was 70 cases in just about 18 months.

#Contents #bookcases #buildBlog

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Originally written August 1, 2020

When we moved to Santa Fe last year, I had planned to build new bookcases for the house. In my old house in Minneapolis, I had built-in bookcases, and the house here in the Southwest needs a different look.

A panorama of built-in bookcases, completely full, and mostly filling three walls of a room. There is an exercise bike, some posters, an ironing board, a few boxes and a recliner in the room, also

So I looked around a little, and decided to build the Jefferson Bookcases that Chris Schwarz wrote about for Pop Wood (and later on his own blog).

Given that I'm in Santa Fe, and getting nice hardwood is tougher here than I'm used to from Minnesota, I decided to build them in pine. I can get nice clear pine from Alpine Builders Supply here in town, and while it's not cheap, it's not going to break the bank.

So that's the back-story. I'm planning to write up the build process as I go, though likely I'll be behind on writing it up (I have four plinths and one case built as I write this), in part because I'm not great at taking all the photos I need as I'm building. But luckily there are enough repeated parts that I've been able to go back and get photos of every step of the way. That means this will be a lot longer than the Pop Wood article I linked above, but will also include a lot of the wrong turns I took along the way, and tricks I figured out to make the build go smoother.

As for parts, there are going to be at least six plinths, holding a stack of cases a minimum of five cases high on each stack. And that won't even get the paperbacks – I think I'm going to put those in cases that'll hang on a cleat on the wall above the stacks of cases.

Did I mention that I have a lot of books?


Based on questions when I initially wrote this, I had the following additions: * Tom asked about tolerances and trying to keep the stacks of cases looking uniform. I built a circular saw track guide with stops to cut the long (horizontal) boards of each case to the same length with my circular saw. A miter box with a stop would also work. * I posted some teaser photos. First shows three plinths which will support the cases. The middle one is my prototype which did not have mitered corners on the top dovetails, so the rabbets for carrying the cases show on the front and look bad. Stack of three plinths * Second sneak-peek is a prototype case, 11½ inches deep, 13 inches high, and 30 inches wide (all the cases will be 30 inches wide). The only change required was taking about 1/32 inch off the back edge of the bottom board so the case would sit better in the plinth. Prototype book case * Third sneak-peek is my workbench, set up for building these cases. Workbench with tools

The tools on my workbench, from left to right are: * clamp rack on the wall * planes, mostly used for finishing. Also knife and spokeshave, which are used for the curves on the plinths. * chisel and rebate saw / kerfing plane, used for cutting the rabbets in the boards (at the beginning). * glue, note sheet with cut-list, and paper towels for cleaning up. * mirror, used to see the back of dovetails when I'm sawing. * twin-screw vise for workholding * shellac and brush for finishing, mallets for aiding in assembly * marking tools for laying everything out. pencils. * rasps, dovetail saw, and turning saw for cutting dovetails * stack of completed parts (none there at the moment) * (on the floor) stacks of lumber cut to length for the current case


Contents #woodworking #bookcases

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I have a Mujingfang Plough Plane I bought a few years ago, but it was only recently that I found the blades other than the ⅛ inch blade which I had left in it when we moved to NM (three and a half years ago). Having all the pieces in one place again, I decided it was time to build a storage box for it. This is the result.

Open and empty storage box

The box is just about the minimum size to store the plane, fence, and blades securely. I'm getting enough storage boxes in my shop that I'm going to need to build more shelves. Plus I've discovered that the arms for the plane are tapered enough that I can slide them into the plane body as far as they go, and they'll stay securely without having the factory screws in place to hold them. This avoids one of my bigger objections to this sort of plane, which is that they take up a lot of room when not in use.

Open storage box, showing the plane, fence and arms in the box

As you can see from the picture, with the arms and fence removed, the plane doesn't take up much space at all. And if I do have problems with the arms not staying wedged in place, I can always replace the factory screws with wooden pegs to hold the arms in place.

Four of the plane blades in their storage space

The plane came with five blades, but I figure I only need storage slots for four of them, as I can leave one in the plane.

Blades with retaining block and peg holding them in place in the lid of the box

To keep the blades from flopping around in the box (and to keep from needlessly making the box an inch taller to fit them upright), I placed a retaining block in the lid of the box. It's made from pine, so having the blades bump into it is unlikely to dull the blades much. And it's held in place with a wooden peg. If I think of a better solution, I figure I can replace it fairly easily.

Side view of the closed box, showing the wooden peg

When everything is closed up, the wooden peg does protrude a bit, but only a little, and I can make the knob on it even smaller if I decide I need to. Or I can recess the knob into the side of the lid, so it takes up much less space. But none of that is a project for today.

View of the "front" of the box, showing the latch

The box uses some cheap brass hardware I had on hand. The latch and hinges mostly work fine, but the hinges stuck up about 3/64 inch above the top of the box when I aligned them properly with the lid. So I took a little off with the belt sander. They don't look great now, but they still function fine.

"Back" of the box, showing the hinges with some of the brass plating sanded off

The box is mostly pine. The ends are ¾ inch thick, and the sides are ½ inch thick (it didn't seem worth it to make the ends any thinner given how small they are). The bottom is a piece of aromatic cedar I scavenged from an old cedar chest I got from my mom. Between her cats and her basement which had flooded multiple times, it wasn't worth trying to repair, but I did get a few boards of cedar from it. This was an offcut that had screw-holes spaced just about the right distance apart so I could cut them off and make the box bottom. The top of the box is a piece of thick ash veneer (⅛ inch thick) which I bought to use as splines in boxes with mitered corners, but it's plenty sturdy for this lid.

I think that's about it. Thanks for looking!

#woodworking #storage #shopFurniture

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Jun 27, 2021

Built for the 2021 plane swap on that woodworking site I don't participate in any more, this was a fun project for a lot of different reasons. The main disappointment is that it was for a swap, so after it was built, I sent it away. But then someone else got to enjoy it, so there's that.

A low-angle infill plane with yellow-painted metal bits and white oak furniture, viewed from the left side

A low-angle infill plane with yellow-painted metal bits and white oak furniture, viewed from the right side

For the plane swap this year, I wanted to build something a little different. I have a stash of Stanley Global Plane #3s that I bought cheap on eBay from a seller in Canada when the exchange rate between the dollar and the loonie got fairly lopsided, so I decided to infill one.

But just a normal infill plane didn't seem challenging enough. Let's make a low-angle bevel-up plane from it. That should be a good challenge!

So I started out by removing the plane hardware and trying some things. One of my very first discoveries was that I would need to modify both the mouth and the bedding for the blade to achieve what I wanted.

First attempt at infilling the plane, with red eucalyptus knob, and a spruce rear infill while I tested some ideas

But I had a Veritas plane kit on hand, and I was pretty sure it worked with most of the smaller Veritas blades, so I ordered a spare blade for their bevel-up smoother that matched the size of the #3. I also initially planned to do the infill with some eucalyptus I got from AZWoody, but that plan fell by the wayside… Mostly because the eucalyptus from Arizona is brittle and hard to work, but also because I discovered I had a very nice bit of white oak in the shop. I bought a 6 foot long 10 inch wide 12/4 board a while back, and there was a knot near one end. The remaining bit on that end of the board looked like it would make a great infill for the plane.

White oak furniture for the plane - perhaps that will work

I set aside my pieces of oak and went to work with a chunk of spruce from a tubafor as my prototype, and made some templates from MDF so I could try things out as I experimented.

The plane with an MDF template next to it, matching the side profile

First thing I discovered was that the blade would be unsupported without the factory frog in place, so I cut a piece of brass to fill the area immediately behind the mouth with metal, giving me solid support for the blade where it would need it the most. I epoxied this into the plane body and set to work with a file making a smooth transition for the blade or infill to rest upon.

The brass support ramp, epoxied into the plane body behind the mouth

I also decided that I wanted to dress the plane up from the stock purple that Stanley chose. I had some Chromium Yellow (aka CAT Yellow) lettering enamel laying about, and decided that would look pretty good. It's not a sansoo-level paint job, but I think I did okay. I think there were four coats in most places.

Plane with oak furniture and the yellow paint covering up the factory purple paint job

I was also working out the geometry of the plane, and knew that I wanted to use the original bolts to help hold the infill pieces in place. I wouldn't be able to do a tote like I had initially planned, but I got something that felt okay in my hand, which used the original bolts.

The roughed-out oak furniture in the plane

But the nuts that came with the plane wouldn't do, so I found a piece of ⅝” brass rod, and fashioned some new nuts for the plane. Rather than turn them into hex nuts or something that was a lot of work, I decided to make them split-nuts so I could use a driver I already had (and that just requires sawing a slot).

Brass round nut with a slot, similar to the split-nuts used on saws

The bolts in this Stanley plane were 12-32. I don't have a tap and die for that, but I do have a set for 10-32, so I left the bottom ends stock, and reduced the upper ends of the bolts to 10-32 so I could tap the nuts to match. It's pretty easy to reduce the diameter of a bolt a little while not changing the thread.

As I worked, I ended up cutting off the tip of the rear infill and making it a separate piece. This meant that I had better access to it to shape it to match the slope I needed to bed the plane but I had to file down the heads of the factory screws a bit. But things were taking shape!

I drilled the holes for the cross-pin. The stock one from the Veritas plane kit wouldn't work, because it was too short, but I have a bunch of ¼” brass rod on hand. Turns out it's actually 15/64, but drilling a ¼” hole still worked, I just needed to make sure I didn't widen the hole too much.

I also drilled holes for screw the infill into place. I used #8 brass wood screws, countersunk just enough that when I filed off the head of the screw down to the bottom of the slot, I would be down to the side of the plane. My post-drill was getting quite a workout, and I spent quite a bit of time filing the screws, and peening the cross-bar into place and filing the ends of that smooth.

My first attempt at assembling the plane didn't go so well. With the blade not fully bedded, the chatter when trying to plane was horrible. I almost gave up and moved on to plan B, but I figured I'd give it one last try and took things apart and cut deeper grooves for the adjuster to ride in, which also meant making a deeper space for the adjuster knob.

With those changes made the plane suddenly worked well! The chatter was gone, and it would take shavings. Not great shavings, and the blade was now about 1/32” too long, but making things shorter is easy! Off to the grinder to establish a new bevel on the blade.

With that done, everything went together well, and it was just a matter of finishing it up. Well, almost. The metal plane wedge that I had initially planned to ship was no longer thick enough to hold the (now lower) plane blade securely. And making things thicker isn't as easy as making them thinner. So I got out some bubinga and ash veneer I had on hand and laminated up a new wedge for the plane. I alternated the grains, so the bubinga grain, which is visible, runs cross-wise in the plane body. It looks a little strange, but I like it.

Finish was three coats of linseed oil on all the wooden bits. I let each coat cure for a full day, while I worked on the bonus projects for the swap, and then once the oil had dried, I coated all the exposed metal (and the wood) with paste wax. It looks and feels pretty good, I think.


I also included a spokeshave as a bonus. The spokeshave was made from granadillo. I used a Hock Spokeshave Kit, which unfortunately had come without the mounting bolts and thumbscrews. Oh well, the threads in the blade are 10-32, which Ron verified when I emailed to let him know about the missing thumbscrews and bolts, so I just headed to the hardware store. Got a few 3” long 10-32 bolts, and I reused the thumbscrews from one of my own spokeshaves, since I didn't have great luck making my own thumbscrews from brass. I'll fix them up one of these days…

Anyway, I started cutting away some of the waste with the bandsaw, then went to work with rasps, files, hand-saws, gouges and chisels. I also drilled the holes for the mounting with the post drill. Then after setting the blade and making sure it worked correctly, I hacksawed the bolts to length and filed the ends smooth so they won't be an injury risk.

granadillo spokeshave after roughly shaping the handles and making the relief-cuts in the sole, showing the sapwood present in the piece

Having a well-appointed shop made this go a lot quicker than last year's spokeshave which was built before my shop was done.

granadillo spokeshave

The piece of granadillo I was using had a bit of sapwood on it, too. I had meant to place this on the back of the shave, but I got myself turned around, and it ended up on the sole of the spokeshave. Hopefully it won't wear too fast.

granadillo spokeshave


I also built a box to hold everything. It's fairly simple construction. A piece of red oak resawed in half to make the top and bottom, and a piece of walnut that was resawed in half to make the sides of the box. The bottom is simply rabbeted into the dovetailed sides, and the top got some bubinga veneer and oak sides so it would fit over the bottom of the box.

To build it, I cut the rabbets on the edge of the walnut, then dovetailed the walnut together. Then I trimmed the bottom piece of red oak to fit into the rabbets. Glued everything together and took it to the belt sander to clean up the outside edges of everything. I had one gap in the bottom which I filled with sawdust from the sanding and CA glue.

Box of walnut and red oak, open, showing the roughly-finished inside

For the lid, I glued strips of the 1/8” thick bubinga veneer to the edges of the top, then resawed a scrap of white oak to make the sides of the lid and glued those to the bubinga. Headed to the belt-sander again and made everything smooth. Again, there were a few small gaps between the oak and bubinga, so I filled those with the sanding dust and some more CA glue.

Box, closed, showing the top and the bubinga and oak edges on the lid

Wrote on the lid of the box with a pencil, then gave it three coats of shellac. It offered another layer of protection to the plane and the spokeshave in case the post office was less than gentle in the delivery.

Box, closed, showing the top with the note saying "Lumberjocks 2021 Plane Swap, Made by Dave Polaschek for Woodmaster1" in pencil

#woodworking #planemaking #toolmaking #plane #box #spokeshave #swap #project

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May 9, 2022

Getting a little more progress. I made hangers for my most commonly used hammers on the door of my till.

The two doors of the till, now with hammers mounted on the left door

Left to right, the ball-peen hammer I got from my dad, and which I use for nearly everything; the plane hammer I got from Kenny in the turning swap; the dead-blow I got from Kenny in the turning swap, which is proving very useful (autocorrupt wanted to “fix” that to useless -f'in Apple); and my dice mallet from Earl, which gets used pretty hard, and keeps on whacking.


Contents #woodworking #storage #hammers

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