davepolaschek

buildBlog

I’m going to be making a new top for our dining room table one of these years, and as that will be a 5 foot diameter circle of plywood, veneered and edge-banded, I figured I should practice veneering a bit.

I found a small pine box with no bottom or top (I think it was the excess trimmed off a box to hold one of my lathe chucks) which was slightly under 6 inches square, by about 2½ inches tall. And I found some 6 inch wide hardwood “micro lumber” which was ⅛ inch thick that I used to make a top and bottom for the box. They’re simply glued on.

Small (5½ x 5¾ x 2⅝ inch) pine box, with top and bottom of ⅛ inch tropical hardwood.

While that was drying in the clamps, I dug through my veneer sampler box that I bought from Veneer Supplies (mine was an 8½ x 11 x 6 inch box) and found a sheet of lacewood or snakewood which should be big enough (it’s 8 inches by 10½ inches) to cover all four sides of the box.

Small sheet of lacewood or snakewood veneer, approximately 8 inches by 10¾ inches.

Next up will be softening and flattening that sheet (I think I’ll use a couple pieces of picture framing acrylic and a stack of wood for a press), mixing up a new batch of glue, and cutting the sheet into four pieces the right size for the sides of the box.

We’ll see how it goes!


Small veneered box with some of the veneer torn loose.

That answers part of the question. I definitely need to treat the cauls I use so the glue that seeps through the veneer doesn’t stick to them.

Veneer stuck to the caul I used while clamping the small box

I’ve stuck a piece of packing tape on each caul, and did the other two sides of the box. If that works, I’ll remove the damaged side and find another piece of veneer in the sampler box to try.


With fresher glue today, I also had to thin it a bit more so I had a decent working time. By the time I got all the clamps on the box, this had happened:

Veneer on box, but it crept.

So I soaked that side of the box down again, and used a card scraper to gently peel up the veneer, scrape off the glue, put on new glue, and try again. I can see that my strategy of leaving the veneer overlarge and trimming it back to the box dimensions after the glue has dried won’t work, so I learned at least two things this morning.

But I think that’s it for today. I’ll maybe look for a piece of veneer for the badly damaged side and cut it to size, but I need to let the box dry before trying to do anything more with it.


After a few days of no shop time, I got back out to the shop this morning (Saturday, the 17th). I planed the wrecked veneer off the side of the box using my Carter mitre plane, then found a piece of birch burl which I thought would look nice and glued that on.

Small veneering-practice box, with the wrecked veneer planed off.

When I removed the box from the clamps and cauls after a half-hour, the new veneer looked good, so I set it on the bench to finish drying while I worked on some other things. After a half-hour, I noticed the burl veneer had curled almost into a circle as the side not glued to the box had dried faster than the side next to the box. I didn't take a photo, but I basically wet everything down and re-glued the veneer down. Hide glue was invaluable here, since hide glue will stick to dried hide-glue. PVA glues would have required completely removing the veneer and sanding the underlying pine clean, since almost nothing will stick to dried PVA glue.

Small veneering-practice box with a Carter mitre plane which I used to clean up the edges of the veneer sitting next to it.

With the burl glued on, and given a couple hours to cure, I pulled the box from the clamps again, and proceeded to trim the edges of the burl veneer. I used one of my gent saws with the finest teeth (32 tpi, I believe) to cut as close to the edge of the box as possible, then used the mitre plane to get the edges baby-butt-smooth, and hit the box with a coat of tung oil. The result is above.

The next session in the shop, I'll cut this box open, add hinges and a latch, and do some serious finishing. I think I'll probably French polish the box.


I cut the box open and put in an ash liner, which serves to align the top, and hold it in place. I decided against hinges and a latch, preferring a piston fit.

The small veneer practice box, open; the interior is visible, including the spalted elm corner reinforcements

The ash liner needed some reinforcement at the corners, so I cut some spalted elm into triangular shapes and glued it in the corners. More visual interest, and much-needed reinforcement.

Small veneer practice box with lid just barely open; The birch burl side is frontmost.

I also added some edge-banding to the top and bottom surfaces that were exposed when I cut the box open. This makes the box look much more finished. I should have been more careful about trimming the inner edges of the banding for a better look, but had the edges been all the same size, I would not have needed to do the trimming. I also didn’t have quite enough of one of the styles of banding to go all the way around the box, so one side got a different pattern. It looks a little goofy, but again, more practice!

Small veneer practice box, slightly open; the edge-banding on the bottom section is visible

And then I started French polishing, but at some point the already-applied finish pulled a bit (I probably did not have enough oil on my pad) and left a bit of a mess, so I sanded the box back a little bit with 0000 steel wool and started applying Tried and True Varnish Oil, which will be my final finish. It’s nearly fool-proof, though a bit slow, as each coat needs to dry overnight before the next coat can be applied, but it’s simpler to apply, and looks really good once enough thin coats are built up.

A think a few more days of this slow finishing regimen will see the box complete. At that point I’ll give it a few days to cure, and then apply a coat of paste wax. I’m not sure what I’ll do with the box, but I suspect it will get given away.

#projects #veneering #buildBlog

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This is a manually-built list of #woodworking posts I've made. Clicking on the tag will get you to all of them, while this will take you to table of contents for the various series of posts I've done.

A list of completed Projects, although there are also some over at Peekachello Art.

Handy Tools covers tools I've either bought or built which I use frequently during my woodworking.

The Jefferson Bookcases #buildBlog walks though the steps to build the bookcases I store my books in. The last post is a typical project write-up.

The Boring Tools Till #buildBlog walks through the steps of building probably my most complex cabinet to-date.

The Baby Bow Saw #buildBlog

Kolrosing Notes are a collection of notes I've made over the years on kolrosing (cutting small lines in a surface, and then filling them with a powdered pigment), chinkin-bori (scratching a lacquered surface with tools, and then filling the scratches with gold or other fine dust) and other similar surface-decoration techniques.

The Forge Table #buildBlog describes building a small table with turned legs and a metal-clad oak top which I will use to hold my small forge.

A collection of Techniques I have written up over the years. There will likely be more additions to this from the various build blogs, as I get better organized.

#contents

This is a #buildBlog of the process of building the bookcases that hold my books in Santa Fe. I built them myself, and learned a lot about #woodworking along the way, and hopefully can share some of that knowledge in these articles.

  1. Introduction, including a photo of how I set up my workbench for building the bookcases. Having my mise en place consistent made building 70 cases possible.
  2. Building the Plinths, which describes and shows the method I use for cutting mitered dovetail corners while constructing the plinths, on which stacks of bookcases rest.
  3. Large Case Tail Boards (sides), which covers cutting the tails on the side boards of the largest (at this point) cases. I also included answers to some questions people had asked me about the construction process, and linked to some of my Handy Tools I used while building the cases.
  4. Large Case Pin Boards and Backs walks through the rest of the construction of a case. When this finishes, the case is in the clamps with the glue drying.
  5. Winging it with Big Cases talks about how I discovered that the largest cases I had designed weren't large enough for some of my very large art books. So I had to change the design a bit. This is one of the many nice things about building the cases myself. Had I ordered them from a builder, the discovery of the extra-large books would've blown up the cost quite a bit.
  6. A Back for the Oversized Case shows details of the ship-lap joint between two back-boards and puts a back on the oversized case. It also shows how to square up a case which was slightly out of square.
  7. Smoothing and Prep for Shellac in which the hand planes come out.
  8. Cleaning up a Dovetail shows how I cut out the waste between pins (it's a similar process for tails) and then clean up a little using a rasp until the joint goes together smoothly.
  9. First Shellac sees me applying the first two coats of shellac to a case.
  10. Second Shellac gets the third (and final) coat of shellac on a case.
  11. Back Boards discusses one of my first big “performance optimizations” building the bookcases. I cut the time per pair of back boards for a case to a quarter of the time it previously took, from about an hour to about 15 minutes per pair of boards.
  12. Interlude and Medium Bookcases talks about the size of the medium-sized cases to hold hardcovers and shows the cut-list for the lumber. It also has a guest appearance by my Lava Lamp.
  13. More Plinths, Different Sizes covers a couple more sizes of plinths (one for the art books, which will have a deeper case, and four for stacks with a medium case as the base, and smaller paperback cases atop that).
  14. Art Books Case has another cut-list, this time for a larger case to hold art-books. It also describes making 1x16 boards out of narrower pieces by edge-jointing them and gluing them together.
  15. The Littlest Case has the cut-list for the smallest case for very small hardbacks or standard (5¼×7¼ inch) paperbacks.
  16. Three Sizes of Plinths has cut-lists for all three different sizes of plinths I ended up building to accommodate the different-sized cases.
  17. The Little Things covers some tips and tricks I've learned along the way, and has a progress update showing 37 cases in 8 stacks.
  18. A Periodic Update gets the total up to 47 cases in 8 stacks and shows some other numbers in the months of making boxes.
  19. The End of January Update didn't have a lot of progress, but that seems to be how Januarys go around here.
  20. The Home Stretch? is another progress update. Up to 57 cases at this point.
  21. The Wrap-up is a completed project post. The grand total was 70 cases in just about 18 months.

#Contents #bookcases #buildBlog

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This is a project I built in December of 2020. It's one of my most-used saws in the shop.

Front of bow saw, assembled Reverse of bow saw, assembled

#woodworking #contents #buildBlog #project

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